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- Member of: Theses and Dissertations
- Member of: ASU Electronic Theses and Dissertations
- Status: Published
The goal of this dissertation is to assess the applicability of the process-based model of policing to an under-studied population: Hispanics and undocumented immigrants residing within Maricopa County, Arizona. The analysis for this dissertation uses data from two different sources: a sample of Maricopa County residents (n=854) and a sample of Maricopa County arrestees (n=2268). These data are used to assess three research questions. The first research question focuses on assessing the applicability of the process-based model of regulation as a theoretical framework to study this population. The second research question compares Hispanic and White respondents’ views of procedural justice, police legitimacy, and how these perceptions relate to their willingness to cooperate with the police. The last research question examines the differences between undocumented immigrants’ and U.S. citizens’ perceptions of procedural justice, police legitimacy, and how these perceptions relate to their willingness to cooperate with the police. In doing so, this study examined the convergent and discriminant validity of key theoretical constructs. Among several notable findings, the results show that the process-based model of regulation is a promising framework within which to assess perceptions of the police. However, the framework was only supported by the sample of arrestees. Implications for theory, practice, and suggestions for future research are discussed.
Religion and gender are two contemporary, heavily influential social identity markers that the media engages with. In India, Bollywood simultaneously interacts with religious and gender identity by producing many movies on Hindu-Muslim inter-religious romantic relationships in the twenty-first century. Bollywood’s Hindu-Muslim romance movies are stories with a central focus on a romantic relationship in which one lover is Hindu and the second is Muslim. The masculinity and femininity of the Hindu and Muslim characters are not accidental; it is meticulously articulated in every movie. This thesis explores two sets of patterns in the movies: themes in love stories and gender identity across the protagonists. It is important to note that representation of religious identity in Bollywood is highly debated with a special emphasis on Muslim identity since they are a religious minority and the political "Other". This thesis acknowledges that the presence of Muslims in Bollywood is complicated and not black and white, but it focuses on the representation of Muslims that is connected romantically with Hindus.