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- Creators: Kirsch, Sharon
Throughout every liberation movement in America’s history, poetry has been an undeniably powerful act of resistance. Even today, protest poetry is instrumental to countless resistance movements because it captures attention, evokes emotion, and demands social progress. My project is divided into two parts. The first part is made up of five journals. These journals are informal written responses that conversate with different texts and analyze specific images within specific passages. My exploration of protest poetry focuses on five prominent poets of the last century: Langston Hughes, Maya Angelou, Gloria Anzaldúa, Camille T. Dungy, and Claudia Rankine. The second part of this project is my contribution to protest poetry. For my collection, I crafted ten poems in which I resist a range of issues that have to do with class, gender, and ethnicity. My protest poetry is also an examination of what it means to be human, particularly in modern day America.
However, just as Brecht says, there is still singing.
Since the 2016 election, news media has become nothing if not more apocalyptic in reporting style. As a result, other forms of media, such as songs, literature, and artwork, have been reacting in two distinct modes: first, through a realism in describing the pain of those going through the events, and second, through a blind romanticism of the truth.
In this essay, I describe the origin of apocalyptic rhetoric, and the way that this type of rhetoric has unfolded throughout a few key moments of human history. From there, I move into a discussion of song as one form of a reaction to this, making sure to keep intact the dichotomous lines as described earlier. As an emblem of this reaction in the post-2016 era, I then analyze modern apocalyptic thought, and as an example of this reaction, I analyze the song “This is America” by Childish Gambino. I then look towards the future and theorize as to what type of singing will come from future dark times.