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- Genre: Academic theses
Description
The ancient religious practices and beliefs of the indigenous people of Northern Scandinavia, known as the Sámi, have been misrepresented and misinterpreted by well meaning ethnographers and researchers who view such practices and beliefs through an Descartes-Cartesian, objective-subjective lens. This thesis develops a more accurate, intersubjective paradigm that is used to illuminate more clearly the religious workings of the 17th-18th Century Sámi. Drawing upon the intersubjective theories presented by A. Irving Hallowell, Tim Ingold and Kenneth Morrison, ethnographic examples from the writings of early Lutheran missionaries and priests demonstrate that the Sámi lived in a world that can be best understood by the employ of the categories of Person (ontology), Power (epistemology) and Gift (axiology).
ContributorsGoettl, Eric Daniel (Author) / Gereboff, Joel (Thesis advisor) / Swanson, Todd (Committee member) / Kristiansen, Roald E. (Committee member) / Arizona State University (Publisher)
Created2014
Description
This dissertation takes the material culture of New Orleans’ Spiritual Churches as its point of the construction and application of academic categories in studies of religions of the African diaspora. Because I am interested in what emic explanations reveal about scholarly categories and methods, a dialogic approach in which I consult practitioners’ explanations to test the appropriateness of academic categories is central to this work. Thus, this study is grounded in an ethnographic study of the Voodoo Spiritual Temple, which was founded and is operated by Priestess Miriam Chamani, a bishop in the Spiritual Churches. The Spiritual Churches first emerged in the early twentieth century under the leadership of Mother Leafy Anderson. Voodoo, Pentecostalism, Spiritualism, and Roman Catholicism have been acknowledged as their primary tributary traditions. This study examines the material culture, such as statues and mojo bags, at the Voodoo Spiritual Temple as it reflects and reveals aspects of Temple attendees’ world views. In particular, material culture begins to illuminate attendees’ understandings of non-human beings, such as Spirit and spirits of the dead, as they are embodied in a variety of ways. Conceptions of Spirit and spirits are revealed to be interconnected with views on physical and spiritual well-being. Additionally, despite previous scholarly treatments of the Spiritual Churches as geographically, socially, and culturally isolated, the material culture of the Voodoo Spiritual Temple reveals them to be embedded in transnational and translocal cultural networks.
ContributorsBilinsky, Stephanie (Author) / Moore, Moses (Thesis advisor) / Astor-Aguilera, Miguel (Committee member) / Bruner, Jason (Committee member) / Arizona State University (Publisher)
Created2016
Description
This doctoral thesis utilizes a material culture approach of lived religion to analyze everyday practices resulting from past social interactions and discourses that alter the relation of things and actors within structured categories of thought and action. The case study for this analysis is a genealogical investigation of the icon of Death that attracts both lived Catholic and Occultist practitioners within the shared self-identification of folk magic. La Santa Muerte is an icon of Death that recently emerged as a Mexican folk saint over the last two decades, but appears to be a historical outcome of medieval Western European material depictions of a Good Death. My thesis addresses the question, what social and historical processes led to the Occultist adoption of the Mexican folk saint La Santa Muerte? I conclude that a Romantic counter-ideology denying both empirical rationality and Christian normativity gathers a diverse assemblage of people to the icon of Death. My methods include iconology, historiography, ethnography, and iconographic fieldwork. The result is a genealogy that traces a deep history of practices and materiality from the ancient Mediterranean through medieval Western Europe and the colonization of Mexico until the present moment on social media. My fieldwork examines what La Santa Muerte signifies or embodies in Nezahualcóyotl (Mexico City), Puebla, Puebla, Mexico, Nogales, Sonora, Mexico, Tijuana, Baja California, Mexico, and on social media. In my dissertation, I outline how lived Catholicism and Occultism converge within a gathering of religious practitioners who seek to subvert dominant social narratives that accuse them of deviancy.
ContributorsBreault, Eric Bruce (Author) / Astor-Aguilera, Miguel (Thesis advisor) / Arnold, Philip (Committee member) / Avina, Alexander (Committee member) / Bruner, Jason (Committee member) / Clay, Eugene (Committee member) / Arizona State University (Publisher)
Created2022