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- All Subjects: Identity
Description
Across the world, nations manage their borders in various ways. Brazil and Uruguay share a non-militarized dry border, which creates a range of unique challenges and assets for that region. Through historical, linguistic, and cultural context as well as ethnography-inspired mixed method research, this paper demonstrates that the border region serves as an area of cultural blending. While elements of national affiliation are still present, at times, semiotic and linguistic elements are neither Brazilian nor Uruguayan, but have taken on their own identity.
ContributorsAraiza, Ulises (Co-author) / Desper, Tate (Co-author) / Escobar, Edward (Thesis director) / O'Connor, Brendan (Committee member) / Barrett, The Honors College (Contributor) / School of International Letters and Cultures (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor) / School of Transborder Studies (Contributor)
Created2015-05
Description
I never feel completely comfortable with someone until I know I can make them laugh. Humor has played an important role in all of my personal relationships, with friends, family and coworkers. For this reason, humor has always fascinated me. One person's sense of humor can differ so greatly from another's, yet the reaction of laughter is the same. Entering college, I saw the field of psychology as the most direct path to studying humor. My thesis was always going to address humor in some way, and I decided that the best way to study humor was through stand-up comedians. These performers spend most of their time trying to make other people laugh, but they don't seem very happy. I decided to watch local shows and interview local comedians, with the goal of better understanding this relationship between humor and sadness. Specifically, I wanted to find out how these comedians use humor to deal with negative experiences in their lives. I conducted interviews with six local stand-up comics, who have experienced varying degrees of success in their stand-up careers. The questions for the interviews were developed to best determine how the comics had decided to work in stand-up comedy, what their career trajectories had looked like, how they develop their material, how humor connects to negative experiences in their lives, and how committed each comic was to performing stand-up. Also, I hoped to gain a better understanding of what role stand-up played in shaping the identity of each comic. Interviews lasted between 40 and 75 minutes. I interviewed the local stand-up comics Iesha Renee, Shapel Lacey, Anwar Newton, Mike Enders and Charles Engle, and Michael Turner.
ContributorsLucas, Peter J. (Author) / Meloy, Lisa (Thesis director) / O'Connor, Brendan (Committee member) / Department of Psychology (Contributor) / School of Human Evolution and Social Change (Contributor) / School of Mathematical and Statistical Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
This qualitative study explores the perspectives of six Indigenous learners and two instructors to analyze and reconceptualize pedagogical practices in the Spanish as a Heritage Language (SHL) classroom. Although there have been numerous proposals and perspectives that have successfully incorporated the sociopolitical realities of SHL learners, there is progress to be made to better understand the multifaceted identities of learners and instructors in the Latinx community. Thus, the perspectives of Indigenous learners and pedagogues are necessary to not only acknowledge but to meet the needs of a part of the Latinx community that is often erased by centering mestizaje. Thus, the present study utilizes Critical Latinx Indigeneities (CLI) as a framework to uncover salient themes in the individual testimonios, sharing circles, and written reflections of these eight Indigenous instructors and learners that have taken and/or taught an SHL course. The findings in this study indicated eight prominent themes: 1) dynamic identity development and identity negotiation, 2) connections between language and identity, 3) impacts of anti-Indigenous discrimination among Latinx people, 4) maneuvering language and identity in K-12 education, 5) implications of teachers’ positionalities and practices, 6) discrepancies on knowledge and holders of knowledge, 7) inclusion of indigeneity in SHL courses, and 8) tensions between taking/teaching SHL courses and being Indigenous. Additionally, pedagogical suggestions and reflections are offered alongside a discussion on the concept of allyship. By foregrounding Indigenous Latinxs, I argue that decolonial theory and praxis, based on Indigenous ways of being and knowing, can lead to crucial advancements in SHL Education. By extending the theoretical boundaries of critical pedagogies in SHL Education, we can begin to dismantle deficit- based orientations to researching and teaching SHL learners with dynamic and racially diverse identities. This study has the potential to make an invaluable contribution by disrupting ongoing settler colonial logics that persist in language education by offering pedagogical considerations from Indigenous instructors and learners that would result in an increasingly inclusive Spanish classroom in which Latinxs of varied backgrounds can thrive.
ContributorsOchoa, Valeria Alejandra (Author) / Beaudrie, Sara (Thesis advisor) / Gradoville, Michael (Committee member) / O'Connor, Brendan (Committee member) / Arizona State University (Publisher)
Created2022
Description
Poetry is a way of living for me both as a writer and as a survivor of child sexual (CSA) and physical abuse. I have been turning to poetry for as long as I can remember as a companion on my journey through my trauma, trying to figure out who exactly it is. In Devil and the Deep Blue: Exploring Identity through Poetry, I take my trauma from my past and dissect it. I have taken old poems and edited them along with the guidance of Dr. Dombrowski and Dr. McNeil as my director and second reader respectively and edited them down into a collection of micro-poems. My goal in making these poems is to both put my own trauma to rest in a way, but to also make something for other trauma survivors who may not know they are not alone. My poems are one perspective on trauma, as I can only write what I have felt, but they are meant to show that there is someone who has felt that pain, as well as trying to make myself a better person through my own writing. Along with the micro poems, there are covers that I designed using childhood photos of my father and I, of which there are only a few remaining photographs, as well as designs I drew alongside those photos. The 3rd cover is an amalgam of childhood photos of my parents as well as photos of our family today, intending to show the change in message in the poems as they progress through the collection; they begin in introspection, move into the exploration of the more piercing pieces of trauma that I had yet to even uncover until now, and then the third group of poems is focused on the calmer pieces of aftermath that I still experience and how I am trying to withstand all of that.
ContributorsThompson, Tara Athlyn (Author) / Dombrowski, Rosemarie (Thesis director) / McNeil, Elizabeth (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05