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In this paper, it is determined that learning retention decreases with age and there is a linear rate of decrease. In this study, four male Long-Evans Rats were used. The rats were each trained in 4 different tasks throughout their lifetime, using a food reward as motivation to work. Rats

In this paper, it is determined that learning retention decreases with age and there is a linear rate of decrease. In this study, four male Long-Evans Rats were used. The rats were each trained in 4 different tasks throughout their lifetime, using a food reward as motivation to work. Rats were said to have learned a task at the age when they received the highest accuracy during a task. A regression of learning retention was created for the set of studied rats: Learning Retention = 112.9 \u2014 0.085919 x (Age at End of Task), indicating that learning retention decreases at a linear rate, although rats have different rates of decrease of learning retention. The presence of behavioral training was determined not to have a positive impact on this rate. In behavioral studies, there were statistically significant differences between timid/outgoing and large ball ability between W12 and Z12. Rat W12 had overall better learning retention and also was more compliant, did not resist being picked up and traveled more frequently at high speeds (in the large ball) than Z12. Further potential studies include implanting an electrode into the frontal cortex in order to compare neuro feedback with learning retention, and using human subjects to find the rate of decrease in learning retention. The implication of this study, if also true for human subjects, is that older persons may need enhanced training or additional refresher training in order to retain information that is learned at a later age.
ContributorsSpinrad, Amelia (Author) / Si, Jennie (Thesis director) / Thompson, Patrick (Committee member) / Ma, Weichao (Committee member) / Barrett, The Honors College (Contributor)
Created2014-05
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The purpose of this essay is to determine how the narratives of veterans who served in combat roles during the Vietnam War have affected how historians have written about the war. First, this project will briefly cover the history of the general public’s view of the war and it’s veterans,

The purpose of this essay is to determine how the narratives of veterans who served in combat roles during the Vietnam War have affected how historians have written about the war. First, this project will briefly cover the history of the general public’s view of the war and it’s veterans, looking at how feelings towards Vietnam War veterans have shifted over the past fifty years. Next, this project will analyze two books about the Vietnam War that focus primarily on the veteran experience, rather than on the internal politics of the United States and Vietnam or on the successes or failures of battle, and determine the extent to which these books contribute to public understanding of the war. This essay will then determine the role memory plays in crafting these narratives and how historians have an obligation to include or at least consider the complex perspectives of veterans and their families when they write on topics as controversial as warfare.
ContributorsArroyo, Jose Maria (Author) / Miller, Keith (Thesis director) / Thompson, Victoria (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
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This essay outlines public art in District Six, Cape Town, South Africa and how public art can manifest itself to reconstruct cultural memory, provide a space for healing and processing collective trauma, and produce critical public pedagogy. Public art also has the power to provide symbolic reparations, an approach proposed

This essay outlines public art in District Six, Cape Town, South Africa and how public art can manifest itself to reconstruct cultural memory, provide a space for healing and processing collective trauma, and produce critical public pedagogy. Public art also has the power to provide symbolic reparations, an approach proposed by the Truth and Reconciliation Committee but one that I believe was not properly or effectively handled by the South African government. In this paper I will cover two specific public art projects and one established museum, all three framed within the context of both institutionalized and individual approaches to public art. Such projects extend to the District Six Museum, the Public Arts Festival of 1997, and the Black Arts Collective visual-media project, ‘Returning the Gaze.’ This paper proposes that the concept of public art should be reconsidered; I argue that its purpose is not to solely beautify urban landscapes, but rather to provide platforms for survivors of abuse to relay their experiences, influence popular discourse, and challenge hegemonic notions of race, identity, and culture.
ContributorsHeppner, Gena Rose (Author) / Sandlin, Jennifer (Thesis director) / Popova, Laura (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of Social Transformation (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Historians periodize the ancient past in order to better facilitate its study. From period to period, the ideas, figures and discussions that define as distinct become trapped within the walls that historians have artificially imposed. However, history is not nearly so clean, and that which we have selected to define

Historians periodize the ancient past in order to better facilitate its study. From period to period, the ideas, figures and discussions that define as distinct become trapped within the walls that historians have artificially imposed. However, history is not nearly so clean, and that which we have selected to define each period may be carried forward beyond their period or retrojected into a past period. This thesis will explore how ideas and concepts travel backward and forward in time, through construction of memory and through cultural hybridity and intertextuality, by casting the royal ideology of the Hasmoneans as seen in I and II Maccabees in light of the legacy and memory of the Achaemenid Persian Dynasty. The first two chapters discuss the development of Achaemenid Royal Ideology, beginning with the conquest of Babylon by Cyrus II and his adoption of the ancient Near Eastern “Restorer of Order” literary paradigm to restructure the past for political legitimacy, and continues to the rise to power of Darius I, who in many ways built off of the Restorer of Order paradigm but innovated in establishing a new, more equal relationship between the divine and the royal receiver of the divine mandate to rule. The second two chapters begin with a discussion of II Maccabees and its use of the Restorer of Order paradigm, but goes more into detail on how it constructs an “idyllic past” that not only connects the Maccabees to mythic biblical figures but also reconstructs the Persian past of the Jewish people that mirrors and legitimizes Hasmonean royal ideology in sacred time, and ends with a discussion of how the innovations of Darius might have shaped the eventual conflict between the Hasmonean dynasty and their opponents over the correct responsibilities of the High Priest in Jerusalem.
ContributorsDanesh, Hal Tzvi (Author) / Langille, Timothy (Thesis director) / Mirguet, Francoise (Committee member) / Historical, Philosophical & Religious Studies (Contributor, Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05