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Ambivalent Blood examines the unsettled status of religious language in the semiotic construction of HIV/AIDS in America. Since public discourse about HIV/AIDS began in 1981, a variety of religious grammars have been formulated, often at cross-purposes, to assign meaning to the epidemic. The disease's complex interaction with religion has been used to prophesize looming apocalypses, both religious and national, demand greater moral solicitude among the citizenry, forge political advantage within America's partisan political landscape, mobilize empathy and compassion for those stricken by the disease, and construct existential meaning for those who have already been consigned to physical and social death. Several studies fruitfully have explored specific registers of religious discourse and the AIDS epidemic, particularly in regard to processes of social stigmatization and combating its very effects. However, assumptions about the secular aims of scientific inquiry as well as the presumably secular trajectory of American national culture have dampened a more robust consideration of religion within the history of HIV/AIDS. In most synoptic histories of AIDS, religion is constructed as either a wincing footnote to the Religious Right or as an occasional and bland example of salubrious Christian charity posed against the backdrop of disease and death. Ambivalent Blood seeks to extend such analysis beyond a digestible footnote by disinterring the often polysemous and ambivalent interaction of HIV/AIDS and religious discourses within American culture. Though not a historiographic work, the current project illuminates the complicated ways in which religious and HIV/AIDS discourses coalesced around the very definition of America itself. Like the Cold War that preceded and the Global War on Terror that followed, the AIDS crisis precipitated significant and contested recourse to the religious imaginary in the effort to forge conceptions of Americanness and citizen belonging.
ContributorsCleworth, Brandon (Author) / Fessenden, Tracy (Thesis advisor) / Cady, Linell (Committee member) / Martinez, Jacqueline (Committee member) / Arizona State University (Publisher)
Created2012
Description
James Baldwin (1924-1987) was one of the most well-known African American fiction and nonfiction writers of the twentieth century. Throughout his life and career, he earned a worldwide reputation as a respected novelist, memoirist, and essayist who contributed to a wide array of artistic movements and intellectual discourses. Many scholars have noted the particular African American religious and cultural influences upon Baldwin’s work. More recently, scholars have additionally noted the importance of Baldwin’s globally-engaged thought and internationalist life. Throughout all of his work, Baldwin wrote extensively on the subject of religion. This dissertation posits the topics of religion, violence, and marginalization as integral to his nonfiction writings and speeches, particularly after 1967. As such, it argues that Baldwin in his early career established four distinct discourses on morality, evil, scapegoatism, and purity that he came to connect in his later writings on the intersection of religion, violence, and marginalization. Within these writings, Baldwin also displayed a rigorous engagement with multicultural and multireligious artistic and literary canons, along with the evolving academic study of religion. Therefore, not only should the intersection of religion, violence, and marginalization be a central consideration for Baldwin scholarship, but scholars of religion and violence in particular would benefit from engaging Baldwin’s addressment of this intersection.
ContributorsBroyles, Michael Anthony Louis (Author) / Moore, Moses N (Thesis advisor) / Fessenden, Tracy (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2019