Matching Items (788)
Filtering by

Clear all filters

ContributorsChang, Ruihong (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-29
153808-Thumbnail Image.png
Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The

Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
ContributorsASU Library. Music Library (Publisher)
Created2018-02-23
136756-Thumbnail Image.png
Description
This thesis intends to identify various alternatives to current prostitution policy in the United States. Specifically, this paper focuses on the proposals of abolition, legalization, and decriminalization, as they are interpreted through feminist perspectives. Additionally, the effectiveness of each proposal is based on how well they would reduce the threat

This thesis intends to identify various alternatives to current prostitution policy in the United States. Specifically, this paper focuses on the proposals of abolition, legalization, and decriminalization, as they are interpreted through feminist perspectives. Additionally, the effectiveness of each proposal is based on how well they would reduce the threat and perpetuation of violence, decrease the spread of venereal disease, and lower the rate of drug use amongst sex workers in the U.S. Each method is analyzed through the success and failure rates in the societies in which they have already been implemented. Ultimately, the conclusion is met that legalization would be the most effective and logical policy reform to ensure the safety of American sex workers.
ContributorsDykema, Kendi Montana (Author) / Weitz, Rose (Thesis director) / Katsulis, Yasmina (Committee member) / Barrett, The Honors College (Contributor) / School of Social Transformation (Contributor) / Department of Psychology (Contributor)
Created2014-12
ContributorsWhite, Aaron (Performer) / Kim, Olga (Performer) / Hammond, Marinne (Performer) / Shaner, Hayden (Performer) / Yoo, Katie (Performer) / Shoemake, Crista (Performer) / Gebe, Vladimir, 1987- (Performer) / Wills, Grace (Performer) / McKinch, Riley (Performer) / Freshmen Four (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-27
ContributorsRosenfeld, Albor (Performer) / Pagano, Caio, 1940- (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-03
ContributorsASU Library. Music Library (Publisher)
Created2018-10-04
ContributorsCao, Yuchen (Performer) / Chen, Sicong (Performer) / Soberano, Chino (Performer) / Nam, Michelle (Performer) / Collins, Clarice (Performer) / Witt, Juliana (Performer) / Liu, Jingting (Performer) / Chen, Neilson (Performer) / Zhang, Aihua (Performer) / Jiang, Zhou (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-25
134242-Thumbnail Image.png
Description
Abolitionist activism in 1850's America was divided among two groups of thought: disunionists, who understood the American Constitution to be a pro-slavery document, and political abolitionists, who believed the Constitution was antislavery. This paper traces the origins and structures of each argument, specifically focusing on the philosophies of Frederick Douglass

Abolitionist activism in 1850's America was divided among two groups of thought: disunionists, who understood the American Constitution to be a pro-slavery document, and political abolitionists, who believed the Constitution was antislavery. This paper traces the origins and structures of each argument, specifically focusing on the philosophies of Frederick Douglass and William Lloyd Garrison. It supplements their views with the works of other prominent abolitionists such as Lysander Spooner, Wendell Phillips and Gerrit Smith. In analyzing their rhetoric and beliefs, this paper examines the core of the contention between disunionists and political abolitionists and asserts that the chief divide between the two groups involved questions of whether the wording of the Constitution supported slavery, whether the drafters of the Constitution intended the document to condone slavery, and whether the intentions of the Constitution could be divorced from its interpretation at the hands of the American government and public. Furthermore, this paper argues that the conflict between disunionists and political abolitionists is not confined to the pages of history. It makes parallels between modern activism and the abolitionist writings of the 1850's, attempting to show that the same anti-Constitution reasoning of the disunionists permeates many present-day activists and scholars. It presents Frederick Douglass, Wendell Phillips and Gerrit Smith as proponents of a philosophy of radical constitutionalism which supports legal and cultural reform grounded in a respect for the ideals they believed were embedded within the Constitution and the Declaration of Independence. This paper advocates constitutional radicalism as the most just and effective method of American reform, echoing Douglass in his faith in American idealism and the power of law and civic duty to promote national justice.
ContributorsFendler, Austin Michael (Author) / Hanlon, Christopher (Thesis director) / Simonton, Matt (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
ContributorsMcLin, Katherine (Performer) / Campbell, Andrew (Pianist) (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / McLin/Campbell Duo (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-23