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This dissertation considers why several characters on the Early Modern Stage choose to remain silent when speech seems warranted. By examining the circumstances and effects of self-silencing on both the character and his/her community, I argue that silencing is an exercise of power that simultaneously subjectifies the silent one and

This dissertation considers why several characters on the Early Modern Stage choose to remain silent when speech seems warranted. By examining the circumstances and effects of self-silencing on both the character and his/her community, I argue that silencing is an exercise of power that simultaneously subjectifies the silent one and compels the community (textual or theatrical) to ethical self-examination. This argument engages primarily with social philosophers Pierre Bourdieu, Alain Badiou, and Emmanual Levinas, considering their sometimes contradictory ideas about the ontology and representation of the subject and the construction of community. Set alongside the Early Modern plays of William Shakespeare, Ben Jonson and Thomas Kyd, these theories reveal a rich functionality of self-silencing in the contexts of gender relations, aberrant sociality, and ethical crisis. This multi-faceted functionality creates a singular subject, establishes a space for the simultaneous existence of the subject and his/her community, offers an opportunity for empathetic mirroring and/or insight, and thereby leads to social unification. Silence is, in its effects, creative: it engenders empathy and ethical self- and social-reflection.
ContributorsKrouse, Penelope (Author) / Perry, Curtis (Thesis advisor) / Thompson, Ayanna T (Thesis advisor) / Fox, Cora V (Committee member) / Arizona State University (Publisher)
Created2011
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This thesis explores the dialogue between William Shakespeare, Central and Eastern Europe during the Soviet experiment, and the power of performance as protest. Politically inflected plays that are transnational appropriations of Shakespeare were aimed to subvert state-sanctioned censorship in order to enforce public socio-political interrogations of the Communist Party. My

This thesis explores the dialogue between William Shakespeare, Central and Eastern Europe during the Soviet experiment, and the power of performance as protest. Politically inflected plays that are transnational appropriations of Shakespeare were aimed to subvert state-sanctioned censorship in order to enforce public socio-political interrogations of the Communist Party. My research first established a foundation for the site-specific historical and political context from which the interpretations stem, before examining the texts themselves as pieces of cultural resistance. I focused on four appropriations of Shakespeare’s plays, one being a rewrite of Richard III and three being rewrites of Hamlet: Nedyalko Yordanov’s The Murder of Gonzago from Bulgaria, Matei Visniec’s Richard III Will Not Take Place or Scenes from the Life of Vsevolod Meyerhold from Romania, Géza Bereményi’s Halmi, or the Prodigal Son from Hungary, and finally Boris Akunin’s Hamlet, A Version, a contemporary example of the lasting strength of Shakespearean appropriations. My research essentially followed the question of how countries from the Soviet bloc viewed its own contexts through the Shakespearean prism, as well as the phenomenon of political indictments being historically communicated through theater. I also examined how cultural representatives, for the purpose of this project being playwrights and dramatic performers, employ historically separate material to address the present issues. Ultimately, by researching pre- and post-communist dramas written within the architecture of Shakespeare, an understanding of the role and power of the artist in the political landscape can be attained.
ContributorsEllison, Amber Nicole (Author) / Orlich, Ileana (Thesis director) / Goggin, Maureen (Committee member) / Department of English (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
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Romania is in the midst of an identity emergency due to its relatively recent departure from a communist dictatorship. This paper will take a look at identities within Romania while paying close attention to the way that emerging political, economic, religious and gender identities have been and are being used

Romania is in the midst of an identity emergency due to its relatively recent departure from a communist dictatorship. This paper will take a look at identities within Romania while paying close attention to the way that emerging political, economic, religious and gender identities have been and are being used to oppress the Romanian queer population. This paper seeks to justify an application of Western values towards the call for enfranchisement of Romanian queers. Western values, in this sense, will be based on Enlightenment notions of equality in all people and based on philosophers whose writings and paradigms are centered in the Western world. Furthermore, it will discuss violence and masculinity in hopes that understanding and critically examining these topics may be used in application towards the emerging Romanian identities and statistics which highlight and implicate queer oppression. Again, this paper will not seek to definitely link as causal any one emerging identity towards the oppression of the queer minority in Romania nor will it seek to undermine any single Romanian institution, but rather question the correlative elements of Romanian society that may be implicated in potential oppression, violences, and a neglect of the Romanian queer minority.
ContributorsWoodmansee, Jon Wessley (Author) / Montesano, Mark (Thesis director) / Brake, Elizabeth (Committee member) / Barrett, The Honors College (Contributor) / School of Politics and Global Studies (Contributor)
Created2014-05
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On September 11, 2012, terrorists attacked the American Diplomatic Mission in Benghazi, Libya. Four men died in the attack, including a U.S. ambassador, and 10 others were injured. As has become customary with terrorist attacks, there was constant coverage of the attack by newsrooms all over the world. And as

On September 11, 2012, terrorists attacked the American Diplomatic Mission in Benghazi, Libya. Four men died in the attack, including a U.S. ambassador, and 10 others were injured. As has become customary with terrorist attacks, there was constant coverage of the attack by newsrooms all over the world. And as terrorism has become a more prevalent occurrence, newspapers have been confronted with unique ethical issues. This study examines how four international newspapers – The New York Times in the United States, The International Herald Tribune in France, The Gulf Times in Qatar and The Guardian in Britain— responded to the attack in Benghazi and whether they violated journalism ethical codes in three specific areas. A content analysis of 140 print articles published in a little more than three weeks after the attack revealed that The New York Times and The International Herald Tribune were more likely to frame the attack around politics, whereas The Guardian and The Gulf Times focused on international ramifications of the attack. It also found that all four newspapers changed their stories on what was to blame for the attack as time went on. In this study, a total of 41 violations of ethical codes were displayed. The Guardian presented the highest number with 15. These findings suggest that the newspaper’s geographic separation from the incident and Britain’s lack of personal involvement may have influenced its coverage. Additionally, the findings revealed that journalism ethics codes need to be updated to reflect some of the moral dilemmas that are unique to terrorist attacks.
ContributorsMcCarthy, Meghan Catherine (Author) / Silcock, Bill (Thesis director) / Carlson, John (Committee member) / Magruder, Jane (Committee member) / Barrett, The Honors College (Contributor) / Walter Cronkite School of Journalism and Mass Communication (Contributor) / School of Politics and Global Studies (Contributor)
Created2013-05
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This project focuses on the effects of partisanship and electoral contestation on the likelihood of state legislators to adopt an independent ethics commission. Existing literature suggests that ethics reform is a function of public perception and the need to assuage public outrage in the face of scandal. Additionally, many legislators

This project focuses on the effects of partisanship and electoral contestation on the likelihood of state legislators to adopt an independent ethics commission. Existing literature suggests that ethics reform is a function of public perception and the need to assuage public outrage in the face of scandal. Additionally, many legislators view ethics laws as suggestions of their own ineptitude and thus resist reform. However, this existing view fails to consider the unique nature of the enabling legislation of ethics commissions and often conflates external, public drivers of reform with internal drivers personal to the individual legislators. Using logistic regression and time series analysis, this project finds that increased durations of single-party control in state legislatures decreases the chances of that legislature having an independent commission, suggesting that legislators use the partisan ethics committees as political weapons when they are in power. When the dominant party does not face the risk of becoming the minority, there is little in place to motivate ethics reform, thus the lack of commissions. This research identifies the need to develop more focused measures of inter-legislator partisanship and suggests that the effects of different types of ethics laws, specifically those pertaining to ethics commissions, should more often be studied in isolation, rather than as one single category.

ContributorsRobertson, Gordon (Author) / Hoekstra, Valerie (Thesis director) / Suk, Mina (Committee member) / Barrett, The Honors College (Contributor) / School of Politics and Global Studies (Contributor) / Dean, W.P. Carey School of Business (Contributor) / Department of Information Systems (Contributor)
Created2022-05