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- All Subjects: Religious Studies
- Creators: Fessenden, Tracy
- Creators: Fields, Savannah
Description
This dissertation addresses the issue of sexuality in the Church of Jesus Christ of Latter-day Saints (LDS), also known as the Mormon Church, on both the institutional and individual levels. It traces the ways that the LDS Church's early persecution over polygamy, and the enduring effects of this history - both within and outside the Church - have helped to shape contemporary Mormon policies and public actions related to sexuality and marriage. Despite its relative success in achieving assimilation with the larger American society, the LDS Church continues to be associated with the practice of polygamy, creating a need for the Church to prove its adherence to traditional marriage and sexual norms. This work analyzes Mormon involvement in recent political campaigns against same-sex marriage, especially the campaign to pass Proposition 8 in California. This political participation has provided LDS leaders with significant opportunities to reshape their Church's public image, to improve relationships between Mormons and other conservative Christian communities, and to position the Church in a particular way in the American religious landscape. The dissertation also examines official LDS policies related to homosexuality and homosexual persons, and individual accounts of gay and lesbian Mormons and former Mormons (and those that do not identify as gay but experience same-sex attraction), found in personal blogs, Youtube videos, and published volumes. Elements of Mormon theology related to marriage, gender, premortality, and revelation, combined with aspects of LDS Church history, structure, and culture, make the experiences of these individuals unique among those of gays and lesbian in conservative Christian communities.
ContributorsWertman, Ann (Author) / Fessenden, Tracy (Thesis advisor) / Wenger, Tisa (Committee member) / Bush, Laura (Committee member) / Arizona State University (Publisher)
Created2014
Description
The Alien Play, as posted here, is a placeholder name for this working draft of a full-length stage play that functions as part-science-fiction adventure, part-spiritual-parable. As the process of playwriting is a complex array of research, outlining, drafting, revising and editing, the play is preceded by a craft essay detailing the playwright's inspiration, research, and narrative design. In order to complete this project, the playwright conducted research in the field of religious studies, focusing specifically on the phenomena of paranormal experiences through the lenses of psychology, sociology, and philosophy, asking questions such as: How and why do new religions arise? In what ways (narrative, content, structure, etc.) do these new religions reflect the spiritualist mythologies or religious institutions of the past? What do these similarities or differences say about the social, economic, or political atmospheres that give rise to such movements?
More specifically, this play works within the cross-section of religion/spirituality, mental illness, and UFO and other extra-terrestrial related anomalies to ask such questions as: What does it mean to be Human? What does it mean to be "alien" or Other? How do we internally and externally construct a binary between Humanness and Otherness, between Self and Other? How do we construct reality? In what ways does this anthropomorphize our conceptions of the Human or the Other? In what ways, specifically, may this affect our understanding or manifestation of mental illness, in ourself and others?
The play you see here is a final draft for the thesis, but is still in development elsewhere. Here is a brief log line (i.e. a short description of the general plot and conflict of a script) for the piece: Four sisters from a broken home must deal with the sudden discovery of their late father's communication with an extra-terrestrial race bearing a message of Love-and-Peace. When they, too, begin to communicate with the E.T.'s, they must juggle issues of mental illness, memory, and trauma all while outrunning a shadow government that will stop at nothing to uncover their secret.
More specifically, this play works within the cross-section of religion/spirituality, mental illness, and UFO and other extra-terrestrial related anomalies to ask such questions as: What does it mean to be Human? What does it mean to be "alien" or Other? How do we internally and externally construct a binary between Humanness and Otherness, between Self and Other? How do we construct reality? In what ways does this anthropomorphize our conceptions of the Human or the Other? In what ways, specifically, may this affect our understanding or manifestation of mental illness, in ourself and others?
The play you see here is a final draft for the thesis, but is still in development elsewhere. Here is a brief log line (i.e. a short description of the general plot and conflict of a script) for the piece: Four sisters from a broken home must deal with the sudden discovery of their late father's communication with an extra-terrestrial race bearing a message of Love-and-Peace. When they, too, begin to communicate with the E.T.'s, they must juggle issues of mental illness, memory, and trauma all while outrunning a shadow government that will stop at nothing to uncover their secret.
ContributorsFields, Savannah (Author) / Sterling, Pamela (Thesis director) / Reyes, Guillermo (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2018-12