Matching Items (3)

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The State of Latino Arizona

Description

The trajectory of Hispanic culture and society in the American Southwest began long before Arizona achieved territorial status, and its impact remains a defining element shaping the future of our

The trajectory of Hispanic culture and society in the American Southwest began long before Arizona achieved territorial status, and its impact remains a defining element shaping the future of our expansive binational region. Historical perspective provides a framework for an assessment of contemporary successes, challenges, and aspirations, as well as perceptions and projections regarding the potential of the decades to come. The report offers both objective indicators and nuanced perspective regarding the critical issues that require our collective attention, including education, healthcare, justice and equality, job creation, economic development, quality of life and quality of place, and opportunity for enterprise and social advancement.

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Created

Date Created
  • 2009

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21st Century Community Outreach and Collection Development: ASU Chicano/a Research Collection

Description

Mexicans and Mexican Americans have resided in Arizona since the early 16th century. Their history, however, is severely under-documented in the state’s archival repositories. As of 2012, this community is

Mexicans and Mexican Americans have resided in Arizona since the early 16th century. Their history, however, is severely under-documented in the state’s archival repositories. As of 2012, this community is represented in a mere 1-2% of the state’s known archival holdings, and 98% of such documentation is held at Arizona State University’s Chicano/a Research Collection (CRC). This article provides a historical review of the CRC’s establishment in 1970 and how its founding Curator, Dr. Christine Marín, transformed a small circulating book collection into Arizona’s largest repository for Mexican American history. It goes on to examine how the CRC’s sitting Archivist is using social media in tandem with a community-based workshop, bilingual promotional materials and finding aids, and description of unprocessed collections as community outreach and collection development tools in order to remedy the under-documentation of Mexican American history in Arizona. We argue that augmenting traditional archival field collecting methods with these strategies enables the CRC to build a more robust relationship with Arizona’s Mexican American community, allows us to continue expanding our archival holdings, and serves as an example for other repositories seeking to enhance their documentation of marginalized communities.

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Created

Date Created
  • 2017-01-27

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Politics of an indigenous landscape: the political aesthetics of Delilah Montoya's Desire lines, Baboquivari Peak, Arizona

Description

The purpose of this project is to investigate the political aesthetics of Delilah Montoya's photographic landscape image, Desire Lines, Baboquivari Peak, Arizona (2004), an image drawn from a larger photo-documentary

The purpose of this project is to investigate the political aesthetics of Delilah Montoya's photographic landscape image, Desire Lines, Baboquivari Peak, Arizona (2004), an image drawn from a larger photo-documentary project by Montoya and Orlando Lara titled, Sed: Trail of Thirst (2004). This thesis employs Jacques Rancière's concept of the aesthetic regime to identify how Desire Lines functions as a political work of art, or what Rancière would consider "aesthetic art." This thesis shows that the political qualities of Desire Lines's work contrast with the aesthetic regime of art and systems in the U.S. nation state that have attempted to erase an indigenous presence. Thomás Ybarra-Frausto's and Amalia Mesa-Bains' definitions of Rasquachismo, as well as Gloria Anzalúda's concept of Nepantla, are used to assist in identifying the specific politics of Montoya's work. The first portion of this thesis investigates the image's political aesthetic within the context of the politics of art, and the second portion addresses the image's political qualities within the framework of the politics of the everyday life. This thesis shows that Desire Lines, Baboquivari Peak, Arizona reveals a Chicana/o aesthetic that challenges the dominant paradigm of postmodernism; furthermore, viewing the content of the image through the concept of Nepantla allows for a political reading which highlights the work's capacity to challenge the Eurocentric view of land in the U.S. Southwest. Desire Lines, Baboquivari Peak, Arizona is an indigenously oriented photograph, one which blurs the lines of the politics of art and the everyday and has the power to reconfigure our understanding of the U.S borderland as an indigenous palace of perseverance exemplifying the will to overcome.

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Agent

Created

Date Created
  • 2014