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- All Subjects: history
- Genre: Masters Thesis
- Creators: West, Stephen H.
- Creators: Barnes, Andrew
- Status: Published
Description
This thesis examines the play Qian Dayin zhichong Xie Tianxiang, written by the Yuan dynasty (1271-1368) playwright Guan Hanqing (c.1225-1302). The first chapter of this paper provides brief background information about northern style Yuan drama (zaju) as well as a plot summary and notes about the analysis and translation. Through a close reading of the play, I hope to illustrate how the play's complicated ending and lack of complete resolution reveals why it has received relatively little attention from scholars who have previously discussed other strong, intelligent female characters in Guan Hanqing's plays. The second chapter of this thesis includes translation of the play that is comprised of a wedge preceding the four acts. Before each act of the play is a critical introduction and analysis of the act to follow. Although many of Guan Hanqing's plays have been translated into English, this play has never been translated.
ContributorsByrnes, Kelli (Author) / West, Stephen H. (Thesis advisor) / Zou, Yu (Committee member) / Ling, Xiaoqiao (Committee member) / Arizona State University (Publisher)
Created2011
Description
Yuan Mei 袁枚 (1716-97) is often thought of as a rebellious figure within the eighteenth-century intellectual and literary landscape. His perceived rejection of nearly all aspects of Confucian values was so extreme that he was even dubbed a "sinner against the teachings of Confucius." This thesis examines six stories within Yuan Mei's Zi buyu 子不語 (What Confucius Did Not Talk About) and, through close reading, shows how Yuan Mei utilizes each foreign group's physical traits and their ability to verbally and/or ethically communicate with the Chinese protagonist, in order to reflect their adherence to Confucian values and acceptance of Chinese imperial authority to arrange them along a spectrum of humanness that reflects the Chinese-foreign distinction. Furthermore, by examining each story in their historical and literary contexts, it is discovered that nearly every foreign group portrayed in Zi buyu is based on historical groups that actually existed on the periphery of the Qing empire, and that the different degrees of foreignness of each subject reflect each historical foreign group's acquiescence to or rebellion against the imperial authority of the Qing empire. Contrary to commonly held opinions, Yuan Mei's negotiation of foreignness demonstrates his own deep subscription to Confucian ethics and adherence to imperial order.
ContributorsCampos, Miles (Author) / Ling, Xiaoqiao (Thesis advisor) / Oh, Young Kyun (Committee member) / West, Stephen H. (Committee member) / Arizona State University (Publisher)
Created2012
Description
This thesis examines the relationship between political culture, Confucian intellectuals, and the rise of a new intellectual and cultural paradigm during the early to mid-Ming dynasty (1368 – 1644). The main goal of this thesis is to supplement current scholarship on Chen Xianzhang’s 陳獻章 (1428 – 1500) life as an intellectual of Cantonese origin and his political activities at both local and national levels. Furthermore, the thesis supplements current research on the Yangming School and the School’s contribution to the revitalization of private academies during the Ming with a study on the relationship between the three Confucian intellectuals enshrined in 1584 and the revival of private academies from the perspective of political history. In analyzing the relationship between these various aspects of the Ming political and intellectual landscapes, the thesis uses the 1584 Confucian Temple enshrinement, which involved Wang Yangming 王陽明 (1472 – 1529) and his two older contemporary Confucian intellectuals, Chen Xianzhang and Hu Juren 胡居仁 (1434 – 1484), as an entry point to explore the dynamics behind the political and cultural changes at the time. It aims to investigate the issue of cultural power versus imperial power, the central-versus-peripheral narrative in Ming politics, the evolution of how cultural power was asserted by members of the Confucian tradition, and the manifestation of such evolution in response to contemporary political discussions. The author begins with an analysis of the revival of private academies (shuyuan 書院) during the mid-Ming, and the influence of Chen Xianzhang and Hu Juren in this revival. He then dissects the relationship between the revival of private academies and the emergence of jianghui 講會 (discussion gatherings) in the following decades. Finally, the thesis discusses the struggle of mid-Ming intellectuals in gaining cultural legitimization for both private academies and jianghui activities by urging the imperial court to give due recognition through enshrining Wang, Chen, and Hu in the Confucian Temple, and the historical significance of this struggle to the development of the Confucian tradition in the Ming. The author ultimately argues that Chen Xianzhang, contrary to the common perception about him being a philosopher-poet who was indifferent to political discourses, was in fact a politically active intellectual; and that Chen’s contributions to the revival of private academies in Guangdong predated that of Wang Yangming in the Jiangnan region.
ContributorsChan, David Tsz Hang (Author) / Tillman, Hoyt C (Thesis advisor) / West, Stephen H. (Committee member) / Bokenkamp, Stephen (Committee member) / Arizona State University (Publisher)
Created2016
Description
Magic, divination, and obeah appear in some form in almost all of Jamaica’s near-continuous revolts from the time the British took the island in 1655 to the decades following the abolition of slavery in 1834. Although discussions of African diasporic spiritual systems were very much alive in the early modern centuries, the forms that emerged in early colonial Jamaica have received little scholarly treatment. This study is an attempt to inject culture into the story of African resistance to slavery and colonialism in Jamaica by reconceptualizing three major rebellions as cultural rather than military histories and by highlighting the role of magic and divination in the genesis of these freedom struggles. The First Maroon War, Tacky’s Revolt, and the 1823 Boxing Day Conspiracy illuminate a clear system of supernatural understanding that came to include a definite link to political resistance and rebellion. These understandings were recognized by enslaved or formerly enslaved Africans as well as the British in Jamaica and abroad. Some work must be done to delineate what European settlers were responding to as the idea of obeah—and how it was related to European ideas about witchcraft and illicit magic—from the ideas held among African peoples. This is especially significant following Tacky’s Revolt, when the first anti-obeah laws in the Caribbean made obeah an explicitly political action. Europeans were clearly wrapped up in the politics of obeah to a degree that did not concern Africans. However, Africans also used obeah as a crucial form of political resistance. Thus, these three cases allow both British and African ideas about obeah to be traced over a century to reinject a cultural history of African-derived spirituality into an otherwise political narrative.
ContributorsBussey, Max (Author) / Barnes, Andrew (Thesis advisor) / Alexander, Leslie (Committee member) / Usman, Aribidesi (Committee member) / Arizona State University (Publisher)
Created2021
Description
Based upon the political components of Norbert Elias’ civilizing process I further examine Louis XIV’s strategies of maintaining and increasing his power through the use of etiquette and manipulation to influence the court. This process is revealed through the drama around the showing of Tartuffe, the king’s image creation, and the revocation of the Edict of Nantes along with the destruction of nobles like the Chevalier de Rohan and the empowering of nobles like Madame de Maintenon. The main purpose of this project is to use the concept of the civilizing process as a means to explain what Louis XIV did to his court and nobility. By looking at the controversy caused by Tartuffe between Moliere, Louis XIV, and the Company of the Holy Sacrament, I explore how it would ultimately come to demonstrate the young king’s authority and centralization of power. Furthermore, the thesis explores how Louis XIV created his image by examining the symbolism within three grand festivals he hosted within Versailles and the daily routines he implemented and built upon at court such as the levee. The revocation of the Edict of Nantes is another demonstration of power by rolling back religious rights and maintaining that the king’s subjects subscribe to Catholicism, a faith deeply entrenched in innate hierarchies and not associated with the king’s foreign enemies. Along with these events I survey how Louis XIV’s disfavor and favor impacted the social and economic standing of particular members of the nobility, and how the king was able to utilize the social structures within Versailles to incentivize behavior he liked and to punish those who did not follow the rules of etiquette. Ultimately, I will use Norbert Elias’ concept of the civilizing process to aid in explaining how Louis XIV centralized the power and state to himself by establishing stricter codes of etiquette and bringing the nobility under his hand.
ContributorsJohnson, Kaetia (Author) / Barnes, Andrew (Thesis advisor) / Wright, Kent (Committee member) / Lazer, Stephen (Committee member) / Arizona State University (Publisher)
Created2021