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Description
Dear reader, I hope you will read this entire dissertation. If you are reluctant because of its length, I invite you to contact me for a conversation instead. Over the past eight years I have been a part of three unfolding histories: colonialism, sustainability science, and the Atlas of Creative Tools (the Atlas). In this dissertation I describe how I am a part of these histories. I advocate for partnering them so that the Atlas is used by people in the field of sustainability science to advance cognitive justice in their work. This advocacy is supported by research conducted using a mixed-methods approach. I combine qualitative methods used to study each of the three histories with the experiential knowledge I gained from being a part of them. Throughout the dissertation I move back and forth between academic research and experiential knowledge. Each informs the other. This back-and-forth movement is itself a method to interrogate the assumptions of dissertation writing. My purposes for doing so are two-fold. I want to honor the dissertation as a form of knowledge production that can promote cognitive justice while also pointing out how it hinders it. Additionally, the back-and-forth interrogation method involves using creative tools from the Atlas in the text itself. This demonstrates how the Atlas can be used to promote cognitive justice while producing knowledge in sustainability science. I structure this dissertation to aid you in four ways. First, I provide a view of sustainability science as a contested space that people can and do use to advance cognitive justice. Second, I write about my research and analysis of the Atlas so that my descriptions can be used right away by other practitioners who are working with the Atlas. Third, my methods for interrogating the dissertation itself are meant to be used, modified, and built on by others. Finally, I hope that the connections I make between the Atlas and sustainability science are helpful for your work, and that they inspire you to try the Atlas and see how you can use it to promote cognitive justice in your own contexts.
ContributorsNock, Matthew (Author) / Haglund, LaDawn (Thesis advisor) / Manuel-Navarrete, David (Thesis advisor) / Lerman, Elizabeth (Committee member) / Arizona State University (Publisher)
Created2023
Description
The purpose of this qualitative study was to design and assess a dance pedagogy curriculum intended to cultivate private sector dance educators’ somatic perception. Research questions were framed to understand the nature of knowledge encouraged by the curriculum and each educator's experience of knowledge formation and application to each participant's pedagogical context. The study was conducted in four overlapping stages: 1) Philosophical inquiry, 2) Curricular design, 3) Limited case-study, and 4) Data analysis. The stages employed mix methodologies that included: action research, autobiographical reflection, ethnographic and phenomenological approaches. The limited case-study explored two private-sector dance educators’ experiences of the curriculum. Data collected during the limited case-study conducted with the dance educators revealed thematic clusters about the nature, cultivation, expression, and experience of somatic perception. The themes suggest that the nature of somatic perception reflects an individual educators’ lived experiences that shape values, movement patterns, and phrasing. The expression of somatic perception aligns with the individual educator’s narrative and was evident in patterns and phrasing of movement and learning. The cultivation of somatic perception is an ongoing process that requires active engagement to acquire, assimilate, and integrate the knowledge of content, context, self, and student. Finally, somatic perception manifested itself in each educator’s unique expression of confidence, empathy, creativity, and spontaneity resulting in skillful enactment of knowledge within an immediate pedagogical context.
ContributorsWisniewski, Stacy (Author) / Dyer, Becky (Thesis advisor) / Schupp, Karen (Committee member) / Hannah, Christina (Committee member) / Arizona State University (Publisher)
Created2020
Description
First, this study is intended to comprehend what is perceived to be “good” dancing from two perspectives: the dancers and the dance choreographer/teacher. Second, the goal of this research is to achieve their perceived idea of “good” dancing using the categories of dance aesthetics, movement efficiency, and performance quality as a direction. A phenomenological research approach was applied to understand the terminologies: movement aesthetics, movement efficiency, and performance quality and whether they are essential and contribute to defining what is considered to be “good” dancing. The research was conducted over the course of ten weeks, which included workshops/rehearsals, discussions, and journals and concluded with the showcase of the choreographies in the dance concert performance. This study revealed that there were many similarities in the participants and the researcher’s perception of what “good” dancing is. Through the application of the various somatic methodologies and frameworks, they learned how to perform in their own best way in the different movement styles so that it is beautiful to look at, easy on their bodies, and safe for their bodies. All of the participants were able to achieve a better understanding of their own bodies. Besides gaining individual heightened awareness and understanding of their bodies, they also gained a better understanding on how to work as a collective to achieve the aesthetics of the group from the perspective of the entire dance piece.
ContributorsChoong, Jemima (Author) / Fitzgerald, Mary (Thesis advisor) / Conder, Carley (Committee member) / Bowditch, Rachel (Committee member) / Arizona State University (Publisher)
Created2023
Description
Obsessions are like itches on your body you can’t get rid of. Constantly thinkingabout the itch, constantly satisfying the need for the time being, but never being fully satisfied to move on and let it go. Obsessive behaviors and obsessive thought patterns are everywhere a person goes, even though it mostly goes unnoticed by those around them. Having an obsession is a very common thing in most people; Adults, teens, and children. The interest in this topic came from my own experiences with obsession. In this dissertation, the research shows the effects of specific obsessions within adults, teens, and children. Looking to understand the behavior and thought patterns of these specific obsession will smoothly transfer the finding back to the authors own personal and professional development. In doing so, this will create harmony between the project, research, and the authors upcoming endeavors.
ContributorsCalvano, Alyssa (Author) / Mitchell, John (Thesis advisor) / Magana, Jorge (Committee member) / Brougham, Jennifer (Committee member) / Arizona State University (Publisher)
Created2023
Description
This dissertation examines practices of belonging in contemporary Italy as a fluid process. I examine the Chinatalian experience in Rome, Italy. I am interested in the ways that a Chinatalian phenomenology creates a discursive space for myriad practices of being both Chinese and Italian. “Chinatalianess” is an elastic process and a way of life unique to the individual and the historic and geopolitical context of the moment; it is not definable by nationality, biological characteristics, or even shared cultural practices. “Chinatalian choreographies” are sets of literal and symbolic bodily operations that resist exclusion and generate material and symbolic support for Chinatalians. I would argue that “Chinatalian choreographies” also create the potential for a more just Italy. I analyze actual choreographed events —for example, a happy hour in Rome and a dance performance by a Sicilian dance company — and autobiographical texts written by Chinatalians. My theoretical and practical approach is interdisciplinary and intersectional; I use critical ethnography as a primary method, which builds on theories and practices in critical dance studies, feminist geographies, and postcolonial Italian studies to engage the ways that Chinatalians in Rome are contributing to new forms of “Italian” culture. The recent resurgence of anti-Chinese sentiment during the COVID-19 pandemic lends urgency to this project which asks: What are the lived conditions of Chinatalians in contemporary Italy? Who is allowed to contribute to “Italian” culture? This thesis demonstrates that the notion of Italianess and Chinatalianess, are cultural fictions. Not only is Chinatalian identity and culture an invention but its performance is situated in the specific historical and geopolitical context in question. Rome provides the backdrop to this project, and it is against and alongside this history and contemporary context that my argument for a more just Italy emerges.
ContributorsYoung, Angeline (Author) / Johnson, Christopher (Thesis advisor) / Joslin, Isaac (Committee member) / Kwan, SanSan (Committee member) / Shabazz, Rashad (Committee member) / Arizona State University (Publisher)
Created2023
Description
This MFA project in dance involved a dance concert that fused together different socio-cultural dance forms. Goals of the project included engaging the audience members in ways that are meaningful and express cultural identity, looking at similar and contrasting values or norms between different dance styles, and seeing how that might be expressed in a Western concert theatrical space or be adapted to that space. The research explored the themes of fusion, emotional states, and engagement through collaborative processes of choreography. A series of dance sections were developed based on different cultural movement styles that were ultimately woven together into a live performance.
ContributorsDimitrov, Tanya (Author) / Dyer, Becky (Thesis advisor) / Koch, Carolyn (Thesis advisor) / Landborn, Adair (Committee member) / Fossum, Dave (Committee member) / Rohd, Michael (Committee member) / Arizona State University (Publisher)
Created2023
Description
This thesis project explores the intricacies of dance technique through the study of one’s dance lineage, creative methodologies, and movement tendencies. This research reveals the layers that technique encompasses through the focused embodiment and analytical view of the choreographer's approach. The cast of six dancers offer their unique perspectives on technique through the embodiment process of this work. The cast has strong cultural and diverse dance backgrounds including Afro-Latin, ballet, Bharatanatyam, contemporary modern dance, hip-hop, and Irish dance. “Under The Blacklight” was the culmination of both a dance film and explorative event in which the audience had the opportunity to directly engage within various types of technique. This work stemmed from the desire to understand the notion behind dance technique development. The purpose of this investigation is to understand how to formulate a structure that serves as a basis of dance technique design. Therefore, this research is primarily focused on the process of cultivating a technique. With this intention, the work is concentrated on elucidating the foundation on a contemporary modern dance technique. While this research is centered on this specific genre of dance, it is essential to note that many similar elements are present in the techniques of other dance disciplines.
ContributorsQuiros Contreras, Nathalie (Author) / Fitzgerald, Mary (Thesis advisor) / Thompson, Keith (Committee member) / Ray, Donna (Committee member) / Arizona State University (Publisher)
Created2022
Description
Global occurrences from the past and present such as colonization and globalization play a part in current realities. With the advent of such events, a false belief seems to have been created that in order to be modern, relatable to the present trend and global, it is mandatory to be Westernized and/or Americanized. This document focuses on the issues behind some Indians’ perception of their own culture(s), its traditions and values and how that perception might impact their everyday life. It aims to create an awareness that such a false belief seems to exist and wants to encourage the youth of India to develop their own preferred ways of connecting with their culture and its traditions. It requests and encourages every individual to question and inquire into traditions, practices, rituals, stories, songs, etc.Since India has diverse philosophies, practices, values and principles and approaches to life to offer, and coming from South India, my first two steps to be a part of this futuristic movement involve 1) studying initial works under Saiva Siddhantham - a philosophy that is unpopular, about 800 years old and believes in godliness as an energy-oriented existence, experience and way of life rather than a worship of form-based mythological characters solitarily, and 2) decoding and analyzing/interpreting characters and stories from mythologies, to understand if and how they might relate to the contemporary world. Bharatanatyam and oral storytelling have been used as artforms to represent issues, and shine an interpretative rather than mystical perspective on historical mythologies. The question “What is True to you at this Moment?” is also sought after as a way of honoring multiple ways of living and epistemologies.
ContributorsRamachandran, Siva Pooja (Author) / Jackson, Naomi (Thesis advisor) / Lerman, Elizabeth (Committee member) / Sandoval, Mathew (Committee member) / Arizona State University (Publisher)
Created2022
Description
Social insects collectively exploit food sources by recruiting nestmates, creating positive feedback that steers foraging effort to the best locations. The nature of this positive feedback varies among species, with implications for collective foraging. The mass recruitment trails of many ants are nonlinear, meaning that small increases in recruitment effort yield disproportionately large increases in recruitment success. The waggle dance of honeybees, in contrast, is believed to be linear, meaning that success increases proportionately to effort. However, the implications of this presumed linearityhave never been tested. One such implication is the prediction that linear recruiters will equally exploit two identical food sources, in contrast to nonlinear recruiters, who randomly choose only one of them. I tested this prediction in colonies of honeybees that were isolated in flight cages and presented with two identical sucrose feeders. The results from 15 trials were consistent with linearity, with many cases of equal exploitation of the feeders. In addition, I tested the prediction that linear recruiters can reallocate their forager distribution when unequal feeders are swapped in position. Results from 15 trials were consistent with linearity, with many cases of clear choice for a stronger food source, followed by a subsequent switch with reallocation of foragers to the new location of the stronger food source. These findings show evidence of a linear pattern of nestmate recruitment, with implications for how colonies effectively distribute their foragers across
available resources.
ContributorsAlam, Showmik (Author) / Shaffer, Zachary (Thesis advisor) / Pratt, Stephen C (Thesis advisor) / Ozturk, Cahit (Committee member) / Pavlic, Theodore (Committee member) / Arizona State University (Publisher)
Created2022
Description
In an attempt to summarize two years worth of work in one hundred and fiftywords... This reflection oriented document categorizes my project, “category FIVE”, into chapters of development and actualization. Accounting for the collaborative nature of the project, I advise that this specific document is only half of what the entire work saw through the eyes of Isabella Lepp. Beginning with background information, moving into making the work, and ending with production and reflection of the work, this document follows a mostly chronological timeline in telling the process of making, “category FIVE”, an immersive dance experience. Enjoy.
ContributorsLepp, Isabella Victoria (Author) / Jackson, Naomi (Thesis advisor) / Lerman, Liz (Committee member) / Ortel, Sven (Committee member) / Arizona State University (Publisher)
Created2024