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This study intended to identify what children's perceptions and experiences are with contact improvisation and how these experiences relate to their education; their understanding of being an individual within a community; and their physical, social, and intellectual development. An interpretive phenomenological research model was used, because this study aimed to

This study intended to identify what children's perceptions and experiences are with contact improvisation and how these experiences relate to their education; their understanding of being an individual within a community; and their physical, social, and intellectual development. An interpretive phenomenological research model was used, because this study aimed to understand and interpret the children's experience with contact improvisation in order to find meaning relating to the form's possible benefits. The research was conducted over the course of ten weeks, which included classes, interviews, discussions, questionnaires, and journals. This study showed that contact improvisation empowered the children, opened the children's awareness, developed critical thinking, and created a deeper understanding and trust of the self and relationships formed within the class. The experiences found through teaching contact improvisation to these children showed that there are benefits to teaching children the form.
ContributorsCrissman, Angel (Author) / Schupp, Karen (Thesis advisor) / Dyer, Becky (Committee member) / O'Donnell, Timothy (Committee member) / Arizona State University (Publisher)
Created2014
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Description
Every body holds a story. Those stories are rich with physical movements to be expressed, and through the physical expression comes self-awareness and transformation. A partnership between Arizona State University and Arcadia High School was the vehicle in which I implemented a curriculum built around somatic experiences and communal beliefs

Every body holds a story. Those stories are rich with physical movements to be expressed, and through the physical expression comes self-awareness and transformation. A partnership between Arizona State University and Arcadia High School was the vehicle in which I implemented a curriculum built around somatic experiences and communal beliefs and values. The framework for this investigated curriculum teaches students' embodiment of self, tolerance and acceptance in collaboration, life skills through applied constructivist principles, and increased critical thinking and problem-solving abilities. This research involved somatic exercises enabling participants to have insight into natural moving patterns, how such patterns relate to others and outside environments. Research concluded with collective dialogue around individual and shared experiences. I worked twice per week with a choreography class with a four unit curriculum. From varying modes of assessment (e.g., one-on-one interviews, group discussions, journals, surveys, ongoing observations) students' responses to this type of curriculum ranged from excitement and curiosity to frustrating and provoking. Although these areas of research are not necessarily new to the field of dance and education, gaps in dialogue, published work, and reliable resources prove these theories and methods are still valued and necessary. This research demonstrates the imperative demand in dance education for deeper connections of self-discovery.
ContributorsYourse, Katie R (Author) / Dyer, Becky (Thesis advisor) / Vissicaro, Pegge (Committee member) / Johnson, Elizabeth (Committee member) / Arizona State University (Publisher)
Created2015
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Description
This research study aimed to develop, implement, and evaluate the effectiveness of a dance wellness educational curriculum administered in a university-level dance classroom. Using a mixed methods design involving a pre-test/post-test performance assessment and document analysis for qualitative data, this study asked two questions: 1) How does participation in a

This research study aimed to develop, implement, and evaluate the effectiveness of a dance wellness educational curriculum administered in a university-level dance classroom. Using a mixed methods design involving a pre-test/post-test performance assessment and document analysis for qualitative data, this study asked two questions: 1) How does participation in a semester-long course on Group Fitness Instruction and dancer wellness increase participants’ comprehension of exercise science and fitness instruction concepts? 2) How does participation in a semester-long course on Group Fitness Instruction and dancer wellness impact participants’ personal approaches to teaching, training, and wellness? Results showed that the post-test scores were significantly higher than pre-test scores, and qualitative data collected from participants indicated deep levels of meaning-making and application of course content to personal approaches to training and teaching. This suggests that incorporating a dance wellness curriculum in a university-level dance program builds exercise science, wellness, and instructional literacy, while encouraging students to apply gained knowledge in both personal and professional capacities.
ContributorsDrew, Lisa (Author) / Standley, Eileen (Thesis advisor) / Dyer, Becky (Committee member) / Kulinna, Pamela (Committee member) / Arizona State University (Publisher)
Created2021