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Description
Due to the limits of Arizona's secondary education system, English teachers often have to teach Standard English without regard for students' dialects and home languages. This can contribute to a lack of academic success for students who speak nonstandard and stigmatized language varieties. During the discussions that appear in this thesis, I examine pedagogical practices, particularly bidialectalism, that can be used to better teach these students. While these practices can apply to students of all languages and dialects, I focus on their effects on speakers of African American Vernacular English (AAVE). I also present some ways that educators can be better prepared to teach such students. I conclude with some practical applications, lessons, and activities that teachers in similar contexts can use and modify.
ContributorsGersten, Olivia (Author) / Adams, Karen (Thesis advisor) / Prior, Matthew (Thesis advisor) / Early, Jessica (Committee member) / Arizona State University (Publisher)
Created2014
Description
ABSTRACT Controversies surrounding multilingual language programs, disparities on educational achievement measures, and tracking represent some of the conflicts concerning race that continue to take place in school districts around the country. These debates are especially significant today as schools experience shifts in demographics. Racial and ethnic minorities now account for at least one-third of the nation's population (United States Census Bureau, 2010), and schools are more racially and ethnically diverse than ever before (National Center for Education Statistics, 2012). The continued importance of race in education serves as the impetus behind this dissertation's inquiries into race and language in the high school English classroom. This study explores how one group of students, attending a predominately White high school with growing racial and ethnic diversity, write and talk about race in the English classroom. I examine how explicitly or implicitly students engaged in everyday language, school talk, and school writing about racial and ethnic identity, as well as how students responded to an English language arts curriculum devoted to issues of race and equity. On a broader scale, this study seeks to understand the school, community, and larger social context of racial and ethnic division and unity, particularly the role language and literacy pedagogies can play in addressing these issues. Blending two qualitative methodologies, including ethnography and the design and implementation of a race-conscious English curriculum, I spent eight months in one high school classroom, resulting in an analysis of a series of field notes, student writing, and in-depth participant interview transcripts. Findings from this study may help complicate researchers' and teachers' notions of how racial and ethnic identity operates in classrooms with shifting demographics. This study also highlights the importance of bringing race-conscious literacy activities to the forefront of English classrooms where structured discussions and carefully crafted writing prompts can facilitate discourse on race that might otherwise be muted in the context of traditional English language arts curriculum. Finally, this dissertation calls for a greater focus on collaborative research and teaching teams comprised of classroom teachers and university researchers.
ContributorsDeCosta, Meredith (Author) / Roen, Duane (Thesis advisor) / Early, Jessica (Committee member) / Paris, Django (Committee member) / Arizona State University (Publisher)
Created2012
Description
In May 2014, The Encyclopedia Show: Chicago performed its last volume. Like all others before, the Show was a collection of performances devised by artists, musicians, poets and playwrights all performing various subtopics surrounding a central theme, taken from “an actual Encyclopedia.” The final show was Volume 56 for Chicago; the founding city ended their six year run with an amassed body of work exploring topics ranging from Wyoming to Alan Turing, Serial Killers to Vice Presidents.
Perhaps more impressive than the monthly performance event in Chicago is the fact that the show has been “franchised” to organizers and performers in at least seventeen cities. Franchise agreements mandated that for at least the first year of performance, topics were to follow Chicago’s schedule, thus creating an archive of Shows around the world, each that started with Bears, moved to The Moon, onto Visible Spectrum of Color, and so on.
Now that the Chicago show has ended, I wonder what will happen to the innovative format for community performance that has reached thousands of audience members and inspired hundreds of individual performances across the globe in a six-year period.
This project, like much of my own work, has two aims: first, to provide the first substantive history of The Encyclopedia Show for archival purposes; and second, to explore whether this format can be used to achieve the goals of “interdisciplinarity” in the classroom. In an effort to honor my own interests in multiple academic disciplines and in an attempt to capture the structural and performative “feel” of an Encyclopedia Show, this dissertation takes the shape of an actual Encyclopedia Show. The overarching topic of this “show” is: Michelle Hill: The Doctoral Process. In an actual Encyclopedia Show, subtopics would work to explore multiple perspectives and narratives encompassed by the central topic. As such, my “subtopics” are devoted to the roles I have played throughout my doctoral process: historian, academic, teacher. A fourth role, performer, works to transition between the sections and further create the feel of a “breakage” from a more traditional dissertation.
Perhaps more impressive than the monthly performance event in Chicago is the fact that the show has been “franchised” to organizers and performers in at least seventeen cities. Franchise agreements mandated that for at least the first year of performance, topics were to follow Chicago’s schedule, thus creating an archive of Shows around the world, each that started with Bears, moved to The Moon, onto Visible Spectrum of Color, and so on.
Now that the Chicago show has ended, I wonder what will happen to the innovative format for community performance that has reached thousands of audience members and inspired hundreds of individual performances across the globe in a six-year period.
This project, like much of my own work, has two aims: first, to provide the first substantive history of The Encyclopedia Show for archival purposes; and second, to explore whether this format can be used to achieve the goals of “interdisciplinarity” in the classroom. In an effort to honor my own interests in multiple academic disciplines and in an attempt to capture the structural and performative “feel” of an Encyclopedia Show, this dissertation takes the shape of an actual Encyclopedia Show. The overarching topic of this “show” is: Michelle Hill: The Doctoral Process. In an actual Encyclopedia Show, subtopics would work to explore multiple perspectives and narratives encompassed by the central topic. As such, my “subtopics” are devoted to the roles I have played throughout my doctoral process: historian, academic, teacher. A fourth role, performer, works to transition between the sections and further create the feel of a “breakage” from a more traditional dissertation.
ContributorsHill, Michelle (Author) / Etheridge Woodson, Stephani (Thesis advisor) / Linde, Jennifer (Committee member) / Early, Jessica (Committee member) / Underiner, Tamara (Committee member) / Arizona State University (Publisher)
Created2017
Description
In this study, I investigate how secondary reclassified ELLs use the Learning Management System Schoology in three secondary English classrooms. Particularly, I focus on the digital literacy practices reclassified ELLs use as they navigate Schoology to complete a multi-page research paper. In examining the digital literacy practices of secondary reclassified ELLs who have recently exited the language development program, I add to research in the fields of New Literacies and Multiliteracies, sociocultural approaches to learning, and identity studies.
In this qualitative study, I employed ethnographic techniques (i.e., data collection, participant observation, interviewing, and collection of archived material and digital artifacts stored in Schoology). I drew from communities of practice and identity frameworks to examine focal participants' literacy practices when participating in the online space of Schoology and provided screenshots to showcase this participation. I examined email exchanges that were co-created by teacher and student that demonstrated their reliance on a digital tool to continue the teaching and learning processes. I exhibit screenshots of focal participants' engagement with the revision process as they used Schoology’s and Microsoft Word's digital editing tools. Finally, I examined focal participants' participation in Schoology's online discussion forum to highlight how they revealed aspects of their identities and performed these identities in a mainstream-learning environment as well.
My analysis establishes that focal participants' access to an LMS like Schoology and other digital spaces (e.g., email) supports the language learning and literacy practices of reclassified ELLs. In addition, my analysis of focal participants' digital and communication practices shows that they contributed to their agency, positioned themselves as empowered and knowledgeable learners, and performed the role of "peer as mentor" when providing feedback to their peers. Finally, in my analysis of focal participants' inventories of digital literacy practices, I discovered that their engagement in Schoology for the purposes of learning and communication reinforced their language learning, both traditional and digital literacies, and overall academic achievement. Findings of this study emphasizes the importance of technology integration at the secondary level so that all students have equal access to digital and multimodal ways of learning in today's digital age.
In this qualitative study, I employed ethnographic techniques (i.e., data collection, participant observation, interviewing, and collection of archived material and digital artifacts stored in Schoology). I drew from communities of practice and identity frameworks to examine focal participants' literacy practices when participating in the online space of Schoology and provided screenshots to showcase this participation. I examined email exchanges that were co-created by teacher and student that demonstrated their reliance on a digital tool to continue the teaching and learning processes. I exhibit screenshots of focal participants' engagement with the revision process as they used Schoology’s and Microsoft Word's digital editing tools. Finally, I examined focal participants' participation in Schoology's online discussion forum to highlight how they revealed aspects of their identities and performed these identities in a mainstream-learning environment as well.
My analysis establishes that focal participants' access to an LMS like Schoology and other digital spaces (e.g., email) supports the language learning and literacy practices of reclassified ELLs. In addition, my analysis of focal participants' digital and communication practices shows that they contributed to their agency, positioned themselves as empowered and knowledgeable learners, and performed the role of "peer as mentor" when providing feedback to their peers. Finally, in my analysis of focal participants' inventories of digital literacy practices, I discovered that their engagement in Schoology for the purposes of learning and communication reinforced their language learning, both traditional and digital literacies, and overall academic achievement. Findings of this study emphasizes the importance of technology integration at the secondary level so that all students have equal access to digital and multimodal ways of learning in today's digital age.
ContributorsHurtado, Fernando (Author) / Warriner, Doris (Thesis advisor) / Gee, Elisabeth (Committee member) / Anderson, Kate (Committee member) / Arizona State University (Publisher)
Created2017
Description
This dissertation shares findings from a qualitative case study of Latina adolescent girls (ninth and 10th graders) and their mothers and fathers participating in Somos Escritores/We Are Writers. Somos Escritores was a five-week bilingual writing workshop for Latina adolescent girls and their mothers and fathers that invited them to write, draw, and share stories from their lived realities on a variety of topics relevant to their lives. The stories, voices, experiences, and ways of knowing of the Latina adolescent girls, mothers, and fathers who allowed me a window into their lives are at the center of this study.
This study explored the ways a safe space was coconstructed for the sharing of stories and voices and what was learned from families through their writing about who they are, what matters to them, and what they envision for their futures. To understand Somos Escritores, and the Latina adolescent girls, mothers, and fathers who participated in this space and the stories that are shared, I weave together multiple perspectives. These perspectives include Chicana feminist epistemology (Delgado Bernal, 1998), third space (Gutiérrez, 2008), Nepantla (Anzaldúa, 1997) and sociocultural theories of writing (Goncu & Gauvain, 2012; Prior, 2006). Data were drawn from the following sources: (a) postworkshop survey, (b) audio recording and transcription of workshops, (c) interviews, (d) workshop artifacts, and (e) field notes. They were analyzed using narrative methods. I found that Latina adolescent girls and their mothers and fathers are “Fighting to be Heard,” through the naming and claiming of their realities, creating positive self-definitions, writing and sharing silenced stories, the stories of socially conscious girls and of parents raising chicas fuertes [strong girls]. In addition, Somos Escritores families and facilitators coconstructed a third space through intentional practices and activities. This study has several implications for teachers and teacher educators. Specifically, I suggest creating safe space in literacy classroom for authentic sharing of stories, building a curriculum that is relevant to the lived realities of youth and that allows them to explore social injustices and inequities, and building relationships with families in the coconstruction of family involvement opportunities.
This study explored the ways a safe space was coconstructed for the sharing of stories and voices and what was learned from families through their writing about who they are, what matters to them, and what they envision for their futures. To understand Somos Escritores, and the Latina adolescent girls, mothers, and fathers who participated in this space and the stories that are shared, I weave together multiple perspectives. These perspectives include Chicana feminist epistemology (Delgado Bernal, 1998), third space (Gutiérrez, 2008), Nepantla (Anzaldúa, 1997) and sociocultural theories of writing (Goncu & Gauvain, 2012; Prior, 2006). Data were drawn from the following sources: (a) postworkshop survey, (b) audio recording and transcription of workshops, (c) interviews, (d) workshop artifacts, and (e) field notes. They were analyzed using narrative methods. I found that Latina adolescent girls and their mothers and fathers are “Fighting to be Heard,” through the naming and claiming of their realities, creating positive self-definitions, writing and sharing silenced stories, the stories of socially conscious girls and of parents raising chicas fuertes [strong girls]. In addition, Somos Escritores families and facilitators coconstructed a third space through intentional practices and activities. This study has several implications for teachers and teacher educators. Specifically, I suggest creating safe space in literacy classroom for authentic sharing of stories, building a curriculum that is relevant to the lived realities of youth and that allows them to explore social injustices and inequities, and building relationships with families in the coconstruction of family involvement opportunities.
ContributorsFlores, Tracey T (Author) / Blasingame, James B. (Thesis advisor) / Vega, Sujey (Thesis advisor) / Early, Jessica (Committee member) / Gee, Betty (Committee member) / Arizona State University (Publisher)
Created2017
Description
This study explores the relationships and implications of Foucault's genealogical analytic, his most recently published course, The Punitive Society and its connections to Discipline and Punish through an analysis of productive power, and the potential offerings for educational research. The purpose of this study is to clarify Foucault's genealogical approach in making it more accessible to educational researchers, to investigate the applications and significance of Foucault's most recently available lectures to education, and to analyze Foucault's reimagining of the notion of power as it is developed throughout the lectures and fully realized in Discipline and Punish to better develop an analytic lens from which to interrogate relations of power in pedagogical practices.
ContributorsSusser, Erica (Author) / Carlson, David L. (Thesis advisor) / Anderson, Kate (Committee member) / Koro-Ljungberg, Mirka (Committee member) / Arizona State University (Publisher)
Created2016
Description
In this mixed-methods study, I sought to design and develop a test delivery method to reduce linguistic bias in English-based mathematics tests. Guided by translanguaging, a recent linguistic theory recognizing the complexity of multilingualism, I designed a computer-based test delivery method allowing test-takers to toggle between English and their self-identified dominant language. This three-part study asks and answers research questions from all phases of the novel test delivery design. In the first phase, I conducted cognitive interviews with 11 Mandarin Chinese dominant speakers and 11 Spanish speaking dominant undergraduate students while taking a well-regarded calculus conceptual exam, the Precalculus Concept Assessment (PCA). In the second phase, I designed and developed the linguistically adaptive test (LAT) version of the PCA using the Concerto test delivery platform. In the third phase, I conducted a within-subjects random-assignment study of the efficacy the LAT. I also conducted in-depth interviews with a subset of the test-takers.
Nine items on the PCA revealed linguistic issues during the cognitive interviews demonstrating the need to improve the linguistic bias on the test items. Additionally, the newly developed LAT demonstrated evidence of reliability and validity. However, the large-scale efficacy study showed that the LAT did not appear to make a significant difference in scores for dominant speakers of Spanish or dominant speakers of Mandarin Chinese. This finding held true for overall test scores as well as at the item level indicating that the LAT test delivery system does not appear to reduce linguistic bias in testing.
Additionally, in-depth interviews revealed that many students felt that the linguistically adaptive test was either the same or essentially the same as the non-LAT version of the test. Some participants felt that the toggle button was not necessary if they could understand the mathematics item well enough. As one participant noted, “It's math, It's math. It doesn't matter if it's in English or in Spanish.” This dissertation concludes with a discussion about the implications for test developers and suggestions for future direction of study.
ContributorsClose, Kevin (Author) / Zheng, Yi (Thesis advisor) / Amrein-Beardsley, Audrey (Thesis advisor) / Anderson, Kate (Committee member) / Arizona State University (Publisher)
Created2021
Description
This classroom-based qualitative study examines a multiliteracies approach to teaching Young Adult Literature graphic novels and memoirs within a five-week book club study unit that took place within a twelfth-grade secondary English language arts classroom in an urban school in the Southwest. It explores the teaching and take up of several multiliteracies approaches including written language, oral language, visual representation, audio representation and spatial representation to support adolescents in reading and responding to this unfamiliar genre of Young Adult Literature. Data collection included a demographic survey, pre and post reading habits surveys, student interviews, student drawing and writing in response to texts, visual analysis, and digital graphic narratives. Findings from this study reveal how a multiliteracies approach to teaching Young Adult Literature graphic novels/memoirs supports student reading by allowing for personal and real-world connections to text. It also showed that summarized visual responses to texts in the form of doodling allowed students to come to a deeper understanding of visual literacy through the words and images of the Young Adult Literature graphic novel/memoir. Other findings showed that through the creation of graphic narratives, students grew to appreciate and understand the complexity of Young Adult Literature graphic novels/memoirs as well as discover a newfound appreciation for the genre. Lastly, through participating in literature circle discussions, students gained new insight and perspective from talking in groups on the interpretation of the words and images from their books. In addition, they were able to clarify confusions, work through problems and advance their understanding of their Young Adult Literature graphic novel/memoirs. These findings support the use of a multiliteracies approach to teaching Young Adult Literature graphic novels within the secondary English language arts classroom and point to the value of expanding access to this genre within the formal English language arts curriculum.
ContributorsO'Loughlin, Heather-Ann (Author) / Early, Jessica (Thesis advisor) / Durand, Sybil (Committee member) / Warriner, Doris (Committee member) / Arizona State University (Publisher)
Created2022
Description
The notion of a teacher is an archaic, dynamic, and diverse concept that is embedded in and therefore revealed in the various complex and coexisting cultural and national contexts, ways of teaching and learning, and the entanglements with beings in multiple worlds. However, under the fundamental impacts of westernization, coloniality, and modernization in the Anthropocene, the concept of a teacher has been endowed with narrow colonial, human-centric, politicalized, as well as vocationalized and secularized connotations. It has been oversimplified to a profession, while other possible interpretations have been omitted and marginalized at the same time. My dissertation questions the implications of the gradual narrowing down of the concept over time and reexamines the concept of a teacher with the aim of ontologically broadening the scope of different connotations and embracing more diverse and inclusive forms as well as contexts of being a ‘teacher.’ In response, this dissertation traces the history, evolution, and cultural contexts of the notion of a teacher in ancient and modern China. It explores the concept of a teacher ontologically through multiple historical and theoretical frames, including decolonial theory in comparative education and several conceptual constructs in Taoism, Confucianism, and posthumanism. Guided by these frames, I introduce innovative (post)qualitative methodologies in data generation and collection, referring to collective re-membering activities, reanimating sense, and speculative fabulation experiences (Haraway, 2013) in terms of “teaching without words/actions,” “sitting and Wu,” and “Ge wu zhi zhi.” This dissertation is designed as a multi-scenario, multi-sense, and multispecies ethnography, and the fieldwork was conducted over three months of summertime in 2022 in a small town and a modern supercity in China. Using a diffractive analysis of memories, stories, and experiences with multiple participants, I attempt to broaden the concept of a teacher by presenting a variety of coexisting conceptualizations of the term and bringing into focus multiple ways of teaching, learning, and being a teacher.
ContributorsJiang, Jieyu (Author) / Silova, Iveta (Thesis advisor) / Goebel, Janna (Committee member) / Wu, Jinting (Committee member) / Anderson, Kate (Committee member) / Arizona State University (Publisher)
Created2023
Description
While the literacy narrative genre has been studied in first-year composition and methods of teaching courses, investigations of the literacy narrative as a multimodal project for pre-service teachers (PSTs) of English Language Arts remain scarce. This research shares a qualitative classroom-based case study that focuses on a literacy narrative project, redesigned as a Multimodal Writing History Memoir (see Appendix 1), the first assignment in a required writing methods course in a teacher training program for English Language Arts (ELA) teachers at a large public university in the southwest. The study took place during the fall semester of 2019 with 15 ELA undergraduate pre-service English Education or Secondary Education majors. The study described here examined the implementation and outcomes of the multimodal writing history memoir with goals of better understanding how ELA PSTs design and compose multimodally, of understanding the topics and content they included in their memoirs, to discover how this project reflected PSTs’ ideas about teaching writing in their future classrooms. The memoir project invited pre-service teachers to infuse written, audio, and visual text while making use of at least four different mediums of their choice. Through combined theoretical frames, I explored semiotics, as well as pre-service teachers’ use of multiliteracies as they examined their conceptions of what it means to compose. In this qualitative analysis, I collected students’ memoirs and writing samples associated with the assignment, a demographics survey, and individual mid-semester interviews. The writing activities associated with the memoir included a series of quick writes (Kittle, 2009), responses to questions about writing and teachers’ responsibilities when it comes to teaching composition, and letters students wrote to one another during a peer review workshop. Additionally, my final data source included the handwritten notes I took during the presentations students gave to share their memoirs. Some discoveries I made center on the nuanced impact of acts of personal writing for PSTs, some of the specific teaching strategies and areas of teaching focus participants relayed, and specifically, how participants worked with and thought about teaching multimodal composition.
ContributorsHope, Kate (Author) / Early, Jessica (Thesis advisor) / Saidy, Christina (Committee member) / Durand, Sybil (Committee member) / Arizona State University (Publisher)
Created2020