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The European Migration crisis saw the deadliest mass exodus of people in the 21st century. The crisis impacted and is still impacting Morocco politically, socially, and its economic landscape. American media focused heavily on the Syrian refugee migration from the Middle East through the Balkans to European countries such as

The European Migration crisis saw the deadliest mass exodus of people in the 21st century. The crisis impacted and is still impacting Morocco politically, socially, and its economic landscape. American media focused heavily on the Syrian refugee migration from the Middle East through the Balkans to European countries such as Germany, the Netherlands and France but failed to show the complex migration issues in North Africa, specifically Morocco. In continuum with the refugee crisis in Syria, push factors like economic disparity, human rights violations and civil unrest has forced thousands of Sub Saharan Africans to search for a new life somewhere else. This multimedia project serves to highlight the experiences of transit migrants in Morocco as they wait to make the journey across the Mediterranean Sea. This creative project utilized photojournalism to tell four distinct stories: Immigration Policies between Morocco and Spain, Migrants and the church, a profile on a migrant, and a photo collection of unaccompanied migrant youth. The purpose of this creative project was to show a different perspective of migrants and their experiences.
ContributorsMontoya, Lerman (Author) / Rodriguez, Rick (Thesis director) / Fernandez, Valeria (Committee member) / Walter Cronkite School of Journalism & Mass Comm (Contributor) / School of Social Transformation (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
Description
This paper serves to explore how comic books have managed to become a pillar of today’s pop culture, yet the core product, the comic books themselves, continually fails to find their way into the hands of a populace receptive and willing to purchase them, as a result of a mismanagement

This paper serves to explore how comic books have managed to become a pillar of today’s pop culture, yet the core product, the comic books themselves, continually fails to find their way into the hands of a populace receptive and willing to purchase them, as a result of a mismanagement of marketing, with a focus on digital platforms like social media, and the use of Marvel Entertainment as a primary example. In addition to this analysis, I have endeavored to carry out a reading unit designed in collaboration with Lynne Molina of Boulder Creek High School, as a means to poll over 130+ students for responses pertaining to both their ability to consume and respond to a graphic novel in a similar manner to that of a typical piece of literature, as well as their exposure to marketing for comics for the creative project portion of the thesis.
ContributorsStarkey, Gage Robert (Author) / Wallace, Julia (Thesis director) / Gohr, Michelle (Committee member) / Walter Cronkite School of Journalism & Mass Comm (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
From different backgrounds and different genres, three young female artists work toward a life in music. They struggle to find relevance in the age of social media, and face a challenging balance between authenticity and trying to make names for themselves. Here is a visual representation of their lives and

From different backgrounds and different genres, three young female artists work toward a life in music. They struggle to find relevance in the age of social media, and face a challenging balance between authenticity and trying to make names for themselves. Here is a visual representation of their lives and stories.
ContributorsMurphy, Alisa Orrantia (Author) / Lancial, Alex (Thesis director) / Sullivan, Jill (Committee member) / Walter Cronkite School of Journalism & Mass Comm (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2020-05