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The Internet has slowly over the past couple of decades has evolved greatly while also growing into its own community. Websites such as Facebook, Twitter, and even YouTube have developed their own trends, cultures, and communities. Certain people have chosen to earn their livelihood over the Internet through websites and

The Internet has slowly over the past couple of decades has evolved greatly while also growing into its own community. Websites such as Facebook, Twitter, and even YouTube have developed their own trends, cultures, and communities. Certain people have chosen to earn their livelihood over the Internet through websites and deals with companies. In these dealings, legal matters start to take a major role as people try to review and utilize other peoples’ work to supplement their own. As a Business Law major, I aimed to delve into the legal troubles and dealings of those who wish to form a career on the website YouTube. While the intent of the work is to be informational, I will conclude with what I believe to be improvements possible for the system based on information found. With all the evidence considered, I will advocate for changes to the manual claim system by increasing human moderation as well as necessitating manual review prior to deletion of channels.
ContributorsHinchman, Troy Lemar (Author) / Koretz, Lora (Thesis director) / Forst, Bradley (Committee member) / Dean, W.P. Carey School of Business (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Description
Technological advancements have provided ease and accessibility for musicians to produce, publish, and share music worldwide. However, contradictory court rulings in determining what is protected under copyright law have developed an environment where top-of-the-chart and up-and-coming artists fear their records will be liable for copyright infringement. Throughout the twelve circuit

Technological advancements have provided ease and accessibility for musicians to produce, publish, and share music worldwide. However, contradictory court rulings in determining what is protected under copyright law have developed an environment where top-of-the-chart and up-and-coming artists fear their records will be liable for copyright infringement. Throughout the twelve circuit courts in the United States, various legal tests are applied to copyright infringement cases. Most courts use two specific legal tests; the Second and Ninth Circuit court tests. This thesis analyzes how copyright law is applied to music, focusing on the ambiguous legal tests of the Second and Ninth Circuit Courts. This analysis aims to outline the flaws in the current legal tests and establish a new legal test dedicated to providing structure and uniformity to copyright law and music.
ContributorsSidi, Joshua (Author) / Koretz, Lora (Thesis director) / Moore, James (Committee member) / Barrett, The Honors College (Contributor) / Dean, W.P. Carey School of Business (Contributor)
Created2022-05