Matching Items (2)
Description
Software systems can exacerbate and cause contemporary social inequities. As such, scholars and activists have scrutinized sociotechnical systems like those used in facial recognition technology or predictive policing using the frameworks of algorithmic bias and dataset bias. However, these conversations are incomplete without study of data models: the structural, epistemological, and technical frameworks that shape data. In Modeling Power: Data Models and the Production of Social Inequality, I elucidate the connections between relational data modeling techniques and manifestations of systems of power in the United States, specifically white supremacy and cisgender normativity. This project has three distinct parts. First, I historicize early publications by E. F. Codd, Peter Chen, Miles Smith & Diane Smith, and J. R. Abrial to demonstrate that now-taken-for-granted data modeling techniques were products of their social and technical moments and, as such, reinforced dominant systems of power. I further connect database reification techniques to contemporary racial analyses of reification via the work of Cheryl Harris. Second, I reverse engineer Android applications (with Jadx and apktool) to uncover the relational data models within. I analyze DAO annotations, create entity-relationship diagrams, and then examine those resultant models, again linking them back to systems of race and gender power. I craft a method for performing a reverse engineering investigation within a specific sociotechnical context -- a situated analysis of the contextual epistemological frames embedded within relational paradigms. Finally, I develop a relational data model that integrates insights from the project’s reverse and historical engineering phases. In my speculative engineering process, I suggest that the temporality of modern digital computing is incommensurate with the temporality of modern transgender lives. Following this, I speculate and build a trans-inclusive data model that demonstrates uses of reification to actively subvert systems of racialized and gendered power. By promoting aspects of social identity to first-order objects within a data model, I show that additional “intellectual manageability” is possible through reification. Through each part, I argue that contemporary approaches to the social impacts of software systems incomplete without data models. Data models structure algorithmic opportunities. As algorithms continue to reinforce systems of inequality, data models provide opportunities for intervention and subversion.
ContributorsStevens, Nikki Lane (Author) / Wernimont, Jacqueline D (Thesis advisor) / Michael, Katina (Thesis advisor) / Richter, Jennifer (Committee member) / Duarte, Marisa E. (Committee member) / Arizona State University (Publisher)
Created2022
Description
Open Design is a crowd-driven global ecosystem which tries to challenge and alter contemporary modes of capitalistic hardware production. It strives to build on the collective skills, expertise and efforts of people regardless of their educational, social or political backgrounds to develop and disseminate physical products, machines and systems. In contrast to capitalistic hardware production, Open Design practitioners publicly share design files, blueprints and knowhow through various channels including internet platforms and in-person workshops. These designs are typically replicated, modified, improved and reshared by individuals and groups who are broadly referred to as ‘makers’.
This dissertation aims to expand the current scope of Open Design within human-computer interaction (HCI) research through a long-term exploration of Open Design’s socio-technical processes. I examine Open Design from three perspectives: the functional—materials, tools, and platforms that enable crowd-driven open hardware production, the critical—materially-oriented engagements within open design as a site for sociotechnical discourse, and the speculative—crowd-driven critical envisioning of future hardware.
More specifically, this dissertation first explores the growing global scene of Open Design through a long-term ethnographic study of the open science hardware (OScH) movement, a genre of Open Design. This long-term study of OScH provides a focal point for HCI to deeply understand Open Design's growing global landscape. Second, it examines the application of Critical Making within Open Design through an OScH workshop with designers, engineers, artists and makers from local communities. This work foregrounds the role of HCI researchers as facilitators of collaborative critical engagements within Open Design. Third, this dissertation introduces the concept of crowd-driven Design Fiction through the development of a publicly accessible online Design Fiction platform named Dream Drones. Through a six month long development and a study with drone related practitioners, it offers several pragmatic insights into the challenges and opportunities for crowd-driven Design Fiction. Through these explorations, I highlight the broader implications and novel research pathways for HCI to shape and be shaped by the global Open Design movement.
This dissertation aims to expand the current scope of Open Design within human-computer interaction (HCI) research through a long-term exploration of Open Design’s socio-technical processes. I examine Open Design from three perspectives: the functional—materials, tools, and platforms that enable crowd-driven open hardware production, the critical—materially-oriented engagements within open design as a site for sociotechnical discourse, and the speculative—crowd-driven critical envisioning of future hardware.
More specifically, this dissertation first explores the growing global scene of Open Design through a long-term ethnographic study of the open science hardware (OScH) movement, a genre of Open Design. This long-term study of OScH provides a focal point for HCI to deeply understand Open Design's growing global landscape. Second, it examines the application of Critical Making within Open Design through an OScH workshop with designers, engineers, artists and makers from local communities. This work foregrounds the role of HCI researchers as facilitators of collaborative critical engagements within Open Design. Third, this dissertation introduces the concept of crowd-driven Design Fiction through the development of a publicly accessible online Design Fiction platform named Dream Drones. Through a six month long development and a study with drone related practitioners, it offers several pragmatic insights into the challenges and opportunities for crowd-driven Design Fiction. Through these explorations, I highlight the broader implications and novel research pathways for HCI to shape and be shaped by the global Open Design movement.
ContributorsFernando, Kattak Kuttige Rex Piyum (Author) / Kuznetsov, Anastasia (Thesis advisor) / Turaga, Pavan (Committee member) / Middel, Ariane (Committee member) / Takamura, John (Committee member) / Arizona State University (Publisher)
Created2020