2026-06-07T07:39:50Zhttps://keep.lib.asu.edu/oai/requestoai:keep.lib.asu.edu:node-2012002025-05-05T15:53:02Zoai_pmh:alloai_pmh:repo_items201200
https://hdl.handle.net/2286/R.2.N.201200
http://rightsstatements.org/vocab/InC/1.0/
All Rights Reserved
2025
51 pages
Doctoral Dissertation
Academic theses
en
Goulet, Chris
Compitello, Michael
Bolanos, Gabriel
Paine, Garth
Arizona State University
Partial requirement for: D.M.A., Arizona State University, 2025
Field of study: Music
Multimedia concert performances can offer audiences an immersive experience that is more engaging than a traditional concert hall experience. Additionally, recordings of musical works can immerse the listener just as thoroughly as a multimedia concert performance. However, these multimedia performances are often designed and created by a team of individuals rather than a sole auteur due to their encompassing of multiple disparate artistic mediums. For this project, I designed and executed a live multimedia performance including video, lighting, electronic audio, and acoustic playing. The program featured Christopher Cerrone’s Memory Palace, Dave Hall’s e(c)lipse(d), and my own work, Facsimile. Following my live performance, I created audio recordings of the works featured in the performance to accompany the videos that I produced for the performance. This paper will delve into the process behind this project while examining the concepts that drove my creative decisions. Furthermore, I will discuss the concept of immersive experiences as it relates to this project. Finally, I will reflect on the project and discuss next steps, as well as my biggest takeaways from it.
Music
Musical Composition
Lighting Design
Multimedia Performance
Music Composition
Percussion
Videography
Designing and Executing a Multimedia Performance and Recording Project: Process, Concepts and Outcomes