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          <dc:identifier>https://hdl.handle.net/2286/R.2.N.200693</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
          <dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0</dc:rights>
                  <dc:date>2025-05</dc:date>
                  <dc:format>37 pages</dc:format>
                  <dc:contributor>Chua, Yueh-Yun</dc:contributor>
          <dc:contributor>Hedberg, William</dc:contributor>
          <dc:contributor>Tuck, Robert</dc:contributor>
          <dc:contributor>Giner, Oscar</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
          <dc:contributor>School of Molecular Sciences</dc:contributor>
          <dc:contributor>School of International Letters and Cultures</dc:contributor>
                  <dc:description>Yōkai is a general term that encompasses monsters, ghosts, and general supernatural creatures in Japan. They originate from both natural and man-made phenomena, are deeply connected to the geography of Japan, and have adapted their manifestations alongside the progression of time. Yōkai are born through stories. The more popular yōkai have stories that are so varied, sometimes they seem to describe different creatures. My project will be a study on the various ways one monster can encompass different ideas and how these stories change through time. The project contains a short story written about tengu and a story about various yōkai set in a post-apocalyptic environment. </dc:description>
                  <dc:subject>Japan</dc:subject>
          <dc:subject>Yōkai</dc:subject>
          <dc:subject>Tengu</dc:subject>
                  <dc:title>Exploration of Japanese Yōkai Through the Writing of Creative Short Stories</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
