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          <dc:identifier>https://hdl.handle.net/2286/R.2.N.193892</dc:identifier>
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          <dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0</dc:rights>
                  <dc:date>2024-05</dc:date>
          <dc:date>T23:59:59</dc:date>
                  <dc:format>46 pages</dc:format>
                  <dc:contributor>Ben Ezer, Shy-Lee</dc:contributor>
          <dc:contributor>Partlan, William</dc:contributor>
          <dc:contributor>Chamberlin, Ralph</dc:contributor>
          <dc:contributor>Gharavi, Lance</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
          <dc:contributor>Department of English</dc:contributor>
          <dc:contributor>Computer Science and Engineering Program</dc:contributor>
          <dc:contributor>School of Music, Dance and Theatre</dc:contributor>
                  <dc:type>Text</dc:type>
                  <dc:description>This is a reflection on Michael Frayn&#039;s Copenhagen, a theatrical experiment. It explores how directing affects the audience&#039;s experience of the text. It metaphorically correlates quantum theory and theatre in the round.</dc:description>
                  <dc:subject>Creative Project</dc:subject>
          <dc:subject>Theatre</dc:subject>
          <dc:subject>Data Science</dc:subject>
                  <dc:title>The Human Mind: A Quantum System or an Egocentric Being?</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
