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          <dc:identifier>https://hdl.handle.net/2286/R.2.N.193180</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
          <dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0</dc:rights>
                  <dc:date>2024-05</dc:date>
                  <dc:format>25 pages</dc:format>
                  <dc:contributor>Chim, Natalie</dc:contributor>
          <dc:contributor>Bernstein, Gregory</dc:contributor>
          <dc:contributor>LaMont, Chris</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
          <dc:contributor>Department of Management and Entrepreneurship</dc:contributor>
          <dc:contributor>The Sidney Poitier New American Film School</dc:contributor>
                  <dc:type>Text</dc:type>
                  <dc:description>This thesis discusses the topics of Generative Artificial Intelligence and Screenwriting, and how they come together. Although the 2023 writer&#039;s strike restricted the usage of GAI, there is a high probability given how fast technology advances, that GAI will be used to write formulaic narratives for screenplays. </dc:description>
                  <dc:subject>Generative Artificial Intelligence</dc:subject>
          <dc:subject>Screenwriting</dc:subject>
                  <dc:title>Generative Artificial Intelligence and Screenwriting</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
