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<OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-22T10:53:16Z</responseDate><request verb="GetRecord" metadataPrefix="oai_dc">https://keep.lib.asu.edu/oai/request</request><GetRecord><record><header><identifier>oai:keep.lib.asu.edu:node-191833</identifier><datestamp>2024-12-19T19:04:43Z</datestamp><setSpec>oai_pmh:all</setSpec><setSpec>oai_pmh:repo_items</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>191833</dc:identifier>
          <dc:identifier>https://hdl.handle.net/2286/R.2.N.191833</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
          <dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0</dc:rights>
                  <dc:date>2024-05</dc:date>
                  <dc:format>34 pages</dc:format>
                  <dc:contributor>Hott, Sydney</dc:contributor>
          <dc:contributor>Carrasco, Clare</dc:contributor>
          <dc:contributor>Dove-Viebahn, Aviva</dc:contributor>
          <dc:contributor>Espaillat Lizardo, Mónica</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
          <dc:contributor>Sanford School of Social and Family Dynamics</dc:contributor>
          <dc:contributor>Historical, Philosophical &amp; Religious Studies, Sch</dc:contributor>
          <dc:contributor>School of Social Transformation</dc:contributor>
                  <dc:description>My creative thesis project is titled “NOTEworthy HERstory: A Feminist Exploration of Prominent Women in Pop Music.” Specifically, I seek to answer this research question: what is the dynamic, reciprocal relationship between these prominent female artists’ music and careers with feminist theory? In other words, I am exploring how feminist theory influenced their work, and also how their work influenced feminist theory and our societal understanding and appreciation of women’s lives. This topic incorporates history, sociology, musicology, and feminist theory. I have presented my findings about specific female artists through a series of four podcast episodes. I selected Carole King, Tina Turner, Beyoncé, and Taylor Swift as the subjects for the episodes because they each jumped out to me as being highly connected to specific feminist themes: waves of feminism, patriarchy, intersectionality, and power, respectively.</dc:description>
                  <dc:subject>Sociology</dc:subject>
          <dc:subject>Pop Music</dc:subject>
          <dc:subject>Feminist Theory</dc:subject>
          <dc:subject>Musicology</dc:subject>
          <dc:subject>Carole King</dc:subject>
          <dc:subject>Tina Turner</dc:subject>
          <dc:subject>Beyoncé</dc:subject>
          <dc:subject>Taylor Swift</dc:subject>
          <dc:subject>Patriarchy</dc:subject>
          <dc:subject>waves of feminism</dc:subject>
          <dc:subject>Power</dc:subject>
          <dc:subject>Intersectionality</dc:subject>
          <dc:subject>History</dc:subject>
                  <dc:title>NOTEworthy HERstory: A Feminist Exploration of Prominent Women in Pop Music</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
