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oai:keep.lib.asu.edu:node-1862682024-12-19T19:04:43Zoai_pmh:alloai_pmh:repo_items

186268 https://hdl.handle.net/2286/R.2.N.186268 http://rightsstatements.org/vocab/InC/1.0/ http://creativecommons.org/licenses/by-nc-sa/4.0 2023-05 Strouse, Emma Ling, Xiaoqiao Bokenkamp, Stephen Barrett, The Honors College School of Public Affairs School of International Letters and Cultures Text <p>As Clifford Geertz describes it, culture is comprised of the social structures of which we attach significance to that ultimately gives our lives meaning. In the case of Taiwan, a 20th century democratic revolution, coupled with the introduction of modernism into Taiwanese literature, attaches significance to feelings of nostalgia, the importance of memories, and the struggle to find one's personal identity in a rapidly changing environment. This essay explores these themes under the guise of Bai Xian-Yong's "Taipei People" and Zhu Tian-Xin's "The Old Capital." Despite being written nearly forty years apart, these two books use modernist storytelling to directly challenge each other's idea of the Taiwanese collective consciousness, which greatly contributes to the narration of the formation of Taiwanese culture post-1949. What emerges from a tumultuous 20th century is an assured, independent Taiwanese culture that both accepts foreign influence and also expresses a distinct personality.</p> Taiwan Culture Literature Modernist Literature On the Concept of Taiwanese Literature: How Modern Taiwanese Literature Aided in the Formation of a Unique Taiwanese Identity