2026-05-28T20:26:53Zhttps://keep.lib.asu.edu/oai/requestoai:keep.lib.asu.edu:node-1717252024-12-23T18:01:48Zoai_pmh:alloai_pmh:repo_items171725
https://hdl.handle.net/2286/R.2.N.171725
http://rightsstatements.org/vocab/InC/1.0/
All Rights Reserved
2022
50 pages
Doctoral Dissertation
Academic theses
eng
Dinger, Maja Malina
Schuring, Martin
Caslor, Jason
Wells, Christi Jay
Arizona State University
Partial requirement for: D.M.A., Arizona State University, 2022
Field of study: Music
During my career as an oboist, I have only played the oboe d’amore one time before this project. I have always wondered why such a beautiful instrument is scarcely
played today, and decided it was time to commission new works that aim to bring back
the instrument’s popularity. Tim Carlos composed Fernweh: Sonata for Oboe d’amore
and Piano and Two Sketches for Oboe d’amore, Guitar, and Percussion. This document
covers the collaborative method Carlos and I experienced, the history of the oboe
d’amore, edits made to the compositions, and most importantly a performer’s guide to
these two new works (discussing both technical and musical challenges.) The recordings
are also included. To purchase either work in its entirety, contact
timcarloscomposer@gmail.com.
Music
Musical Composition
Bach
Dinger
History
New music
Oboe
oboe d'amore
A Performer’s Guide to the Newest Additions in the Oboe D’amore Canon