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          <dc:identifier>https://hdl.handle.net/2286/R.2.N.168594</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
          <dc:rights>All Rights Reserved</dc:rights>
                  <dc:date>2022</dc:date>
                  <dc:format>102 pages</dc:format>
                  <dc:type>Doctoral Dissertation</dc:type>
          <dc:type>Academic theses</dc:type>
          <dc:type>Text</dc:type>
                  <dc:language>eng</dc:language>
                  <dc:contributor>Taborda Higuita, Daniel Felipe</dc:contributor>
          <dc:contributor>Rockmaker, Jody</dc:contributor>
          <dc:contributor>Bolanos, Gabriel</dc:contributor>
          <dc:contributor>Temple, Alex</dc:contributor>
          <dc:contributor>Arizona State University</dc:contributor>
                  <dc:description>Partial requirement for: D.M.A., Arizona State University, 2022</dc:description>
          <dc:description>Field of study: Music</dc:description>
          <dc:description>This paper is an in-depth analysis of the symphonic piece titled Subconsciousness for symphony orchestra that was composed during the summer of 2021. This document will explain the conceptual ideas and compositional processes involved in its creation. This document was written as a resource for musicians, music theorist, composers, and public interested in the creative process used to compose the piece. Much of this work was inspired by the writings of Carl Gustav Jung that explore dreams and how the unconscious mind plays an important role in developing these dreams. In addition, this paper shows how Jung’s ideas are manifested in the music, providing arguments that demonstrate how both psychology and music are correlated in the development of the piece.</dc:description>
                  <dc:subject>Musical Composition</dc:subject>
          <dc:subject>Music theory</dc:subject>
          <dc:subject>Psychology</dc:subject>
          <dc:subject>Analysis</dc:subject>
          <dc:subject>Music Composition</dc:subject>
          <dc:subject>Orchestral Compositions</dc:subject>
          <dc:subject>Program music</dc:subject>
          <dc:subject>Subconscious</dc:subject>
          <dc:subject>Unconscious</dc:subject>
                  <dc:title>Analyzing Subconsciousness for Symphonic Orchestra</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
