2026-05-22T04:27:17Zhttps://keep.lib.asu.edu/oai/requestoai:keep.lib.asu.edu:node-1655852024-12-19T19:04:43Zoai_pmh:alloai_pmh:repo_items165585
https://hdl.handle.net/2286/R.2.N.165585
http://rightsstatements.org/vocab/InC/1.0/
http://creativecommons.org/licenses/by-nc-sa/4.0
2022-05
Doebbeling, Bronwyn
Wright, Kent
McNamara, Carol
Barrett, The Honors College
School of Civic & Economic Thought and Leadership
Text
An auto ethnography exploring the onset of my chronic pain and its interaction with the famously tragic female characters I have embodied over the course of the last few years. Told in four parts, this play explores Hedda Gabler (Hedda), HEDDATRON (Jane), Hamlet (Opehlia), and the Tempest (Miranda).
Chronic Pain
Feminism
Hedda Gabler
HEDDATRON
Hamlet
The Tempest
auto-ethnography
Theatre
How I Learned to Suffer