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          <dc:identifier>https://hdl.handle.net/2286/R.2.N.163490</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
          <dc:rights>All Rights Reserved</dc:rights>
                  <dc:date>2019</dc:date>
                  <dc:language>eng</dc:language>
                  <dc:contributor>Stratford, Madison</dc:contributor>
          <dc:contributor>Lee, Christine</dc:contributor>
                  <dc:type>Image</dc:type>
                  <dc:description>&lt;p&gt;Wood, mirror.&lt;/p&gt;

&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Spring 2019 Course: Art and Sensory Acuity (taught by Christine Lee)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;For the course&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Art and Sensory Acuity&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt; we looked at how our&amp;nbsp;&lt;em&gt;perception&amp;nbsp;&lt;/em&gt;and ability to experience a range of sensation can inform the creation of artistic and design based work. We explored perception&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;through the lens of artist James Turrell’s&amp;nbsp;&lt;em&gt;Roden Crater&lt;/em&gt;, under which specific materials, environment, and conditions present, shaped our sensory experience.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Concurrently we expanded our sensory acuity through engagement with guest speakers ASU Assoc. Professor&amp;nbsp;Patrick Young and Assist. Professor Christy Spackman, Ed Krupp&amp;nbsp;Director of Griffith Observatory,&amp;nbsp;and writer Lawrence Weschler, to develop a deeper sensibility across media, time and space. The resulting sculptural forms/prototypes, performance, and installations were designed and constructed in response to the collective experience.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
</dc:description>
                  <dc:title>Espejo de Luz</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
