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          <dc:identifier>https://hdl.handle.net/2286/R.2.N.161176</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
          <dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0</dc:rights>
                  <dc:date>2021-12</dc:date>
                  <dc:format>6 pages</dc:format>
                  <dc:contributor>Ziegler, Danielle</dc:contributor>
          <dc:contributor>Norton, Kay</dc:contributor>
          <dc:contributor>Wu, Selene</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
          <dc:contributor>School of Music, Dance and Theatre</dc:contributor>
          <dc:contributor>School of Life Sciences</dc:contributor>
                  <dc:description>&lt;p&gt;I performed Franz Liszt&#039;s Hungarian Rhapsody No. 2 and orally presented the findings of my written literature review. I addressed the relationship between the brain and muscles, and how complex neural networks develop in pianists. I focused on how proprioception, manual dexterity, somatosensory motor integration and fine motor function related to the technical aspects of my piano performance.&lt;/p&gt;
</dc:description>
                  <dc:subject>Proprioception</dc:subject>
          <dc:subject>Manual Dexterity</dc:subject>
          <dc:subject>Piano Performance</dc:subject>
                  <dc:title>Proprioception and Manual Dexterity in Pianists, Reflected in Performance and a Review of Literature</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
