<?xml version="1.0"?>
<OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-24T20:37:11Z</responseDate><request verb="GetRecord" metadataPrefix="oai_dc">https://keep.lib.asu.edu/oai/request</request><GetRecord><record><header><identifier>oai:keep.lib.asu.edu:node-154426</identifier><datestamp>2024-12-20T18:25:12Z</datestamp><setSpec>oai_pmh:all</setSpec><setSpec>oai_pmh:repo_items</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>154426</dc:identifier>
          <dc:identifier>https://hdl.handle.net/2286/R.I.38488</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
          <dc:rights>All Rights Reserved</dc:rights>
                  <dc:date>2016</dc:date>
                  <dc:format>xi, 78 pages : illustrations, music</dc:format>
                  <dc:type>Doctoral Dissertation</dc:type>
          <dc:type>Academic theses</dc:type>
          <dc:type>Text</dc:type>
                  <dc:language>eng</dc:language>
                  <dc:contributor>McKee, Marcy</dc:contributor>
          <dc:contributor>Mills, Robert</dc:contributor>
          <dc:contributor>Rogers, Rodney</dc:contributor>
          <dc:contributor>Hawkins, Gordon</dc:contributor>
          <dc:contributor>Arizona State University</dc:contributor>
                  <dc:description>Partial requirement for: D.M.A., Arizona State University, 2016</dc:description>
          <dc:description>Includes bibliographical references</dc:description>
          <dc:description>Field of study: Music</dc:description>
          <dc:description>This paper explores the relationship of text and music in Dies Natalis by Gerald Finzi.  Many of Gerald Finzi’s compositions have been researched and analyzed, but Dies Natalis, a work for high voice and string quartet, has received limited attention.   The text is by Thomas Traherne, a lesser-known English poet and theologian.  The research investigates textual interpretation and an explanation or a discussion of the religious mysticism of Traherne.  After a biographical discussion of the composer and the poet, this paper provides a musical analysis, including a study of thematic and harmonic relationships in the work, and an examination of word painting and text setting.   To facilitate my analysis, I used the piano reduction and not the string score for this project.</dc:description>
                  <dc:subject>Music</dc:subject>
          <dc:subject>Music and literature</dc:subject>
          <dc:subject>Songs (High voice) with instrumental ensemble--Analysis, appreciation.</dc:subject>
          <dc:subject>Songs (High voice) with instrumental ensemble</dc:subject>
                  <dc:title>The relationship of music and poetry in Dies Natalis by Gerald Finzi</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
