2026-05-19T00:53:44Zhttps://keep.lib.asu.edu/oai/requestoai:keep.lib.asu.edu:node-1506282024-12-20T18:25:12Zoai_pmh:alloai_pmh:repo_items150628
https://hdl.handle.net/2286/R.I.14651
http://rightsstatements.org/vocab/InC/1.0/
All Rights Reserved
2012
v, 162 pages : illustrations, music, facsimiles
Doctoral Dissertation
Academic theses
Text
eng
Cook, Stephen Barry
Hamilton, Robert
DeMars, James
Ryan, Russell
Pagano, Caio
Cosand, Walter
Arizona State University
Recorded music and video lacking
Partial requirement for: D.M.A., Arizona State University, 2012
Includes bibliographical references
Field of study: Music
This paper investigates the origins of the piano recital as invented by Franz Liszt, presents varying strategies for program design, and compares Liszt's application of the format with current trends. In addition it examines the concepts of program music, musical ekphrasis, and Gesamtkunstwerk and proposes a new multimedia piano concert format in which music combines with the mediums of literature and the visual arts; Picturing Rachmaninoff, and Picturing Ravel provide two recent examples of this format.
Music
performing arts
Concert
franz liszt
Fusion
Multimedia
Piano
Recital
Concerts
Program music
Mixed media (Music)
Concerts--History.
Concerts
Artistic fusion in the piano concert: the piano recital and concepts of artistic synergy : includes two multimedia projects : Picturing Rachmaninoff & Picturing Ravel