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149834 https://hdl.handle.net/2286/R.I.9130 http://rightsstatements.org/vocab/InC/1.0/ All Rights Reserved 2011 vi, 54 p. : ill. (some col.) Masters Thesis Academic theses Text eng Ferrell, Rebecca A Murphey, Claudia Dove, Simon Mcgurgan, Melissa Arizona State University Partial requirement for: M.F.A., Arizona State University, 2011 Includes bibliographical references (p. 30-31) Field of study: Dance This thesis, Impressive Mastermind, examines notions of privacy and the law, particularly with regard to the USA Patriot Act implemented following the events of 9/11. The author/artist believes that numerous freedoms related to personal privacy, especially those rights protected by the Fourth Amendment, were diminished in order to ostensibly seek out potential terrorists. Through the vehicle of a theatrical dance performance, Impressive Mastermind investigates these privacy issues on a public and personal level and also asks the audience to question their own views on government policies regarding personal privacy, including illegal search and seizure. Drawing on the previous work of other intervention artists, this thesis explores the realm of public intervention. Moving away from the usual spectacle of traditional theater, this multi-dimensional piece explores an experiential examination of how the public relates to what is real and what is considered performative. Dance performing arts Dance intervention art Patriot Act performing arts Political Art Privacy Privacy, Right of--United States. Patting down the burn bag: the declassification of Impressive mastermind