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          <dc:identifier>https://hdl.handle.net/2286/R.I.63781</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
                  <dc:date>2021-05</dc:date>
                  <dc:format>27 pages</dc:format>
                  <dc:language>eng</dc:language>
                  <dc:contributor>Luther, Molly E</dc:contributor>
          <dc:contributor>Moran, Stacey</dc:contributor>
          <dc:contributor>Henderson-Singer, Sharon</dc:contributor>
          <dc:contributor>Arts, Media and Engineering Sch T</dc:contributor>
          <dc:contributor>School of Social Transformation</dc:contributor>
          <dc:contributor>Computer Science and Engineering Program</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
                  <dc:type>Text</dc:type>
                  <dc:description>&lt;p&gt;Neoliberal feminism has gained significant popularity in fourth-wave feminist media. In this paper, I analyze the 2017 limited television series &quot;Big Little Lies&quot; to uncover the intricacies of neoliberal feminist theory in practice, particularly how it speaks to gender, race, and class relations.&lt;/p&gt;
</dc:description>
                  <dc:subject>neoliberal</dc:subject>
          <dc:subject>Feminism</dc:subject>
          <dc:subject>Gender</dc:subject>
          <dc:subject>Media</dc:subject>
                  <dc:title>Examining Gender, Race, &amp; Class Depictions in Neoliberal Feminist Media</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
