2026-05-24T14:51:41Zhttps://keep.lib.asu.edu/oai/requestoai:keep.lib.asu.edu:node-1409512021-05-30T17:54:52Zoai_pmh:alloai_pmh:repo_items140951
https://hdl.handle.net/2286/R.2.N.140951
http://rightsstatements.org/vocab/InC/1.0/
open access
http://creativecommons.org/licenses/by-nc-nd/4.0
2009
Periodicals
Text
eng
Baackmann, Susanne
Craven, David
Kattau, Colleen
Craven, David
Mosquera, Gerardo
Castañeda, Luis M.
Gilbert, Courtney
Montua, Gabriel Götz
Wellen, Michael
Herner, Irene
Westbrook, John Edward
Decker-Parks, Arden
Aberth, Susan Louise
Haladyn, Julian
Johnston, Ryan
<p><span><span><span><strong><span><span>The Journal of Surrealism and the Americas: Vol. 3 No. 1 (2009) - Table of Contents</span></span></strong></span></span></span></p>
<p><span><span><span><span><span><span>“Surrealism and Post-Colonial Latin America: Introduction” by Susanne Baackmann and David Craven, p. i-xvii.</span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“‘My Painting is an Act of Decolonization': An Interview with Wifredo Lam by Gerardo Mosquera (1980)” </span></span></span></span></span></span><span><span><span><span><span><span><span>translation by Colleen Kattau and David Craven, p. 1-8.</span></span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Surrealism and National Identity in Mexico: Changing Perceptions, 1940-1968” by Luis M. </span></span></span></span></span></span><br />
<span><span><span><span><span><span>Castañeda, p. 9-29. </span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Negotiating Surrealism: Carlos Mérida, Mexican Art and the Avant-garde” by Courtney Gilbert, p. 30-50.</span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“1925 – Montevideo in the Orient: Lautréamont’s Ascent Among the Paris Surrealists” by Gabriel </span></span></span></span></span></span><span><span><span><span><span><span>Götz Montua, p. 51-83.</span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Paranoia and Hope: The Art of Juan Batlle Planas and its Relationship to the Argentine </span></span></span></span></span></span><span><span><span><span><span><span>Technological Imagination of the 1930s and 1940s” by Michael Wellen, p. 84-106.</span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Siqueiros and Surrealism?” by Irene Herner, p. 107-127.</span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Review of 'Richard Spiteri, Exégèse de Dernier malheur dernière chance de Benjamin Péret'” by John Westbrook, p. 128-131. </span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Review of ‘Liliana Porter: Línea de Tiempo’ (Line of Time)” by </span></span></span></span></span></span><span><span><span><span><span><span><span>Arden Decker-Parks, p. 132-134. </span></span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Review of ‘Zurcidos Invisibles: Alan Glass, Construcciones y Pinturas, 1950-2008’” by Susan Aberth, p. 135-138.</span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Review of ‘David Hopkins, Dada’s Boys: Masculinity After Duchamp’” by Julian Jason Haladyn, p. 139-140. </span></span></span></span></span></span></p>
<p><span><span><span><span><span><span>“Review of ‘Salvador Dalí: Liquid Desire’” by Ryan Johnston, p. 141-147.</span></span></span></span></span></span></p>
The Journal of Surrealism and the Americas: Vol. 3 No. 1 (2009)