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          <dc:identifier>https://hdl.handle.net/2286/R.I.17019</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
                  <dc:date>2013-05</dc:date>
                  <dc:format>38 pages</dc:format>
                  <dc:language>eng</dc:language>
                  <dc:contributor>Chan, Morgan Scott</dc:contributor>
          <dc:contributor>Sadowski-Smith, Claudia</dc:contributor>
          <dc:contributor>Mallot, Edward</dc:contributor>
          <dc:contributor>Ison, Tara</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
          <dc:contributor>Walter Cronkite School of Journalism and Mass Communication</dc:contributor>
          <dc:contributor>Department of English</dc:contributor>
                  <dc:type>Text</dc:type>
                  <dc:description>In a comparative analysis of Vladimir Nabokov&#039;s &quot;Pale Fire&quot; (1962) and Mark Z. Danielewski&#039;s &quot;House of Leaves&quot; (2000), common aesthetic values and principles of content assist in establishing them as manifestations of ergodic literature. The term ergodic, derived from the Greek terms for &quot;work&quot; and &quot;path&quot; was defined in Espen J. Aarseth&#039;s literature theory book Cybertext: Perspectives on Ergodic Literature. Using Aarseth&#039;s theories about non-conventional novels, the unique similarities in specific postmodern novels creates a new classification and genre for novels that employ unique aesthetics and visual elements to recreate the act of reading into an experience that cannot be imitated by new age media.</dc:description>
                  <dc:subject>Cybertext</dc:subject>
          <dc:subject>Nabokov</dc:subject>
          <dc:subject>Ergodic Literature</dc:subject>
          <dc:subject>Danielewski</dc:subject>
                  <dc:title>Ergodic Literature: The Rebirth of the Novel</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
