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          <dc:identifier>https://hdl.handle.net/2286/R.I.17137</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
                  <dc:date>2013-05</dc:date>
                  <dc:format>31 pages</dc:format>
                  <dc:language>eng</dc:language>
                  <dc:contributor>Bisbee, Evan Owens</dc:contributor>
          <dc:contributor>Lamp, Kathleen</dc:contributor>
          <dc:contributor>Mook, Richard</dc:contributor>
          <dc:contributor>Berry, Shavawn</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
          <dc:contributor>Department of English</dc:contributor>
                  <dc:type>Text</dc:type>
                  <dc:description>The project analyzes the history of indie music and culture, and how the aesthetic has been undermined by the modern music industry. The project discusses rhetorical theory on the nature of publics, including group identification through rhetorical discourse as expressed through indie culture.</dc:description>
                  <dc:subject>Indie Music</dc:subject>
          <dc:subject>Modern Music Industry</dc:subject>
          <dc:subject>Rhetorical Publics</dc:subject>
                  <dc:title>The Aesthetic Goes Down With The Ship: How the Volatile Music Industry Has Undermined an Established Indie Aesthetic</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
