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          <dc:identifier>https://hdl.handle.net/2286/R.I.17176</dc:identifier>
                  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
                  <dc:date>2013-05</dc:date>
                  <dc:format>36 pages</dc:format>
                  <dc:language>eng</dc:language>
                  <dc:contributor>Munger, Adrielle Karen</dc:contributor>
          <dc:contributor>Sturges, Robert</dc:contributor>
          <dc:contributor>Sterling, Pamela</dc:contributor>
          <dc:contributor>Finn, Ed</dc:contributor>
          <dc:contributor>Barrett, The Honors College</dc:contributor>
          <dc:contributor>Department of English</dc:contributor>
          <dc:contributor>School of Historical, Philosophical and Religious Studies</dc:contributor>
                  <dc:type>Text</dc:type>
                  <dc:description>Though people are beginning to analyze the internet as an active social force, a seemingly insurmountable problem permeates all criticisms of the world wide web: how do we begin to frame the Internet as a subject of inquiry when its role in our lives is constantly shifting, continually slipping from definition, yet undeniably reconstructing a new human condition? I believe an answer may lie in placing the Internet within the context of the Faust Myth \u2014 a legend that has repeatedly been used to explore humanity&#039;s obsession with power. For my undergraduate honors thesis, I wrote and performed an adaptation of Christopher Marlowe&#039;s Doctor Faustus in which I frame the Internet as a modern Faustian contract, and advocate a new approach to the use of technology.</dc:description>
                  <dc:subject>Literature</dc:subject>
          <dc:subject>Theatre</dc:subject>
          <dc:subject>Faustus</dc:subject>
          <dc:subject>Internet</dc:subject>
                  <dc:title>The Helen Project</dc:title></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>
