This project is a critical look at Chicano artist Vincent Valdez's 2002-2004 series Stations. The theoretical framework for this work is the concept of cultural citizenship, which refers to a variety of ways in which marginalized groups of people create, fight for, and retain space, identity, and rights within American society through acts of daily life. This research considers how the ten large-scale charcoal drawings that comprise Stations contribute to the construction and representation of distinct and unique Latino spaces and identities.
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- Partial requirement for: M.A., Arizona State University, 2010Note typethesis
- Includes bibliographical references (p. 95-106)Note typebibliography
- Field of study: Art history