
Description
The first women who performed in orchestral settings were harpists who were substitute or extra players specifically hired for works requiring harp, such as Gustav Mahler’s symphonies or Maurice Ravel’s La Valse (c. 1919). It was not until flutist Doriot Anthony Dwyer won the principal flute position in the BSO in 1952 that a woman was hired as a principal player of a major US orchestra.
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Contributors
- McClain, Katelyn (Author)
- Buck, Elizabeth (Thesis director)
- Meyer, Jeffery (Committee member)
- School of Music (Contributor)
- Barrett, The Honors College (Contributor)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2020-05
Resource Type
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