Skip to main content

ASU Global menu

Skip to Content Report an accessibility problem ASU Home My ASU Colleges and Schools Sign In
Arizona State University Arizona State University
ASU Library KEEP

Main navigation

Home Browse Collections Share Your Work
Copyright Describe Your Materials File Formats Open Access Repository Practices Share Your Materials Terms of Deposit API Documentation
Skip to Content Report an accessibility problem ASU Home My ASU Colleges and Schools Sign In
  1. KEEP
  2. Theses and Dissertations
  3. Barrett, The Honors College Thesis/Creative Project Collection
  4. LGBTQ+ Representation in Fictional Podcast Series
  5. Full metadata

LGBTQ+ Representation in Fictional Podcast Series

Full metadata

Description

This article offers an in-depth analysis of the frequency and quality of LGBTQ+ representation in fictional podcasts. Specifically, I examine how frequently and with what intent LGBTQ+ characters are included in fictional podcast series. Though scholars have studied LGBTQ+ representation in different media, there has been almost no research on representation in fictional podcast series. However, as observed in other studies, cable and network television, streaming, and even blockbuster cinema have been slowly increasing in LGBTQ+ diversity (Stokes 2019, Cook 2018). Nevertheless, LGBTQ+ media consumers, especially LGBTQ+ youth, still find themselves underrepresented and look to other sources for validation of their identities (Stokes 2019). We might expect that many LGBTQ+ people may look to fictional podcasts as a possible source of quality representation, especially because podcasts are small-scale and heavily rely on the funding, and thus the opinion, of listeners (Bottomley, 2015). This is a case study in which four fictional podcast series are analyzed for LGBTQ+ inclusivity by first taking into account how many, and in what proportion, LGBTQ+ characters are included in the selected podcasts. The quality of their representation was then evaluated by a number of factors, including diversity, depth, and the frequency and type of stereotypical LGBTQ+ tropes. My findings show a higher frequency of LGBTQ+ characters than in more mainstream media. Further, the studied fictional podcasts series featured LGBTQ+ characters with diverse personalities and backgrounds, LGBTQ+ trope subversions, opportunities to express their sexual and/or gender identities, and long story arcs that do not end in their misfortune. Therefore, we see that fictional podcasts, as a medium that sustains itself primarily on listeners’ patronage, trend towards presenting stories that their audience can relate to (Bottomley, 2015). As a result, fictional podcasts tend to create more niche stories with the intention of making a connection with a smaller demographic of media consumers.

Date Created
2020-12
Contributors
  • Ferreyra, Emilia (Author)
  • Ingram-Waters, Phd (Thesis director)
  • Chadha, Phd (Committee member)
  • Computer Science and Engineering Program (Contributor)
  • School of International Letters and Cultures (Contributor)
  • Barrett, The Honors College (Contributor)
Topical Subject
  • LGBTQ+
  • Podcast
  • queer studies, fiction
Extent
42 pages
Language
eng
Copyright Statement
In Copyright
Primary Member of
Barrett, The Honors College Thesis/Creative Project Collection
Series
Academic Year 2020-2021
Handle
https://hdl.handle.net/2286/R.I.62623
Level of coding
minimal
Cataloging Standards
asu1
System Created
  • 2020-12-04 11:11:51
System Modified
  • 2021-08-11 04:09:57
  •     
  • 1 year 7 months ago
Additional Formats
  • OAI Dublin Core
  • MODS XML

Quick actions

About this item

Overview
 Copy permalink

Explore this item

View all associated media

Share this content

Feedback

ASU University Technology Office Arizona State University.
KEEP

Contact Us

Repository Services
Home KEEP PRISM ASU Research Data Repository
Resources
Terms of Deposit Sharing Materials: ASU Digital Repository Guide Open Access at ASU

The ASU Library acknowledges the twenty-three Native Nations that have inhabited this land for centuries. Arizona State University's four campuses are located in the Salt River Valley on ancestral territories of Indigenous peoples, including the Akimel O’odham (Pima) and Pee Posh (Maricopa) Indian Communities, whose care and keeping of these lands allows us to be here today. ASU Library acknowledges the sovereignty of these nations and seeks to foster an environment of success and possibility for Native American students and patrons. We are advocates for the incorporation of Indigenous knowledge systems and research methodologies within contemporary library practice. ASU Library welcomes members of the Akimel O’odham and Pee Posh, and all Native nations to the Library.

Number one in the U.S. for innovation. ASU ahead of MIT and Stanford. - U.S. News and World Report, 8 years, 2016-2023
Maps and Locations Jobs Directory Contact ASU My ASU
Copyright and Trademark Accessibility Privacy Terms of Use Emergency COVID-19 Information